ODD MOB AND GOODBOYS JOIN FORCES WITH SCRIPT ON NEW EP "ODD BOYS" VIA INSOMNIAC RECORDS

Odd Mob and Goodboys collaborate on two tech house tracks, "Out Of Sight, Out Of Mind" with SCRIPT and "Undeniable," on Insomniac Records.

Australian producer Odd Mob and London duo Goodboys are joined by LA producer SCRIPT for a new two-track EP, ‘Odd Boys’ releasing via Insomniac Records. The EP is built from two tech house tracks, "Out Of Sight, Out Of Mind" with SCRIPT and "Undeniable." 

 Odd Mob is an ARIA Gold-certified producer from Brisbane, known for his unique sampling, constant experimentation, and one of the most consistent club catalogs in dance music.

Raised in Los Angeles, SCRIPT blends indie punk spirit, emotional songwriting, and raw club energy into gritty, genre-blending records. Known for turning rooms into controlled chaos, his shows feel more like a live concert than a DJ set.

Based in London, Goodboys are a producer and singer-songwriter duo in Spotify's Billions Club, known for music that bridges commercial hits and underground appeal.

The lead track “Out Of Sight, Out Of Mind” is a tech house cut built around Goodboys’ warm vocals, which capture intent of keeping a romantic spark alive despite eyeing other options. The track is a combined production from Odd Mob, SCRIPT and Goodboys and builds tension as it shifts between cinematic synth leads and dark, driving grooves.

The follow-up track, "Undeniable," from Goodboys and Odd Mob ramps up the energy with a pounding four-on-the-floor rhythm and driving bassline, anchored by a repeating harmonized vocal from Goodboys.

Odd Mob and Goodboys previously collaborated on the single "Won't Be Possible" last year with Tiësto, gaining more than 50.12M streams and securing No. 1 on US Dance Radio. The release earned a nomination for “Dance Song of the Year” by iHeart Radio Awards.

Odd Mob released on Insomniac Records twice this year with his single "Can't Say Nah" featuring Walker & Royce and Benni Ola, and "Take You There" as part of HYPERBEAM with OMNOM. The releases drew support from Martin Garrix, Armin van Buuren, ALOK, ACRAZE, Oliver Heldens, Rebuke, Fedde Le Grand, CID, Timmy Trumpet, and R3HAB. He's just wrapped up his headline Australia 2.0 Tour and recently debuted on the main stage of Tomorrowland at this year's festival. This follows his international tour, including a second annual residency at Wynn Las Vegas, and festival stops at EDC Las Vegas, HARD Summer, Osheaga, Outside Lands, Experts Only, ARC, CRSSD, Space Miami, and Beyond Wonderland and his sold out Gallagher Square show in San Diego.

SCRIPT debuted on Insomniac Records last year with "Substance," which has drawn 4.07M streams. He has collaborated with Anyma, Cassian, Innellea, and KREAM, and earned support from John Summit, Dom Dolla, and ARTBAT. He has played some of the biggest stages in dance music, including the Sphere in Las Vegas, UNVRS in Ibiza, and EDC Las Vegas and EDC Orlando. This year he has shows at Brooklyn Storehouse, SILO Dallas, Concourse Project in Austin, Empire Music Festival, Day Trip NorCal, Hollywood Palladium, and REALM PDX, following a summer tour that included Day Trip Festival, Experts Only, and Ministry of Sound.

Goodboys previously appeared on the label with "This Feeling," their collaboration with Vintage Culture that served as the official anthem of EDC Las Vegas 2022 and has since racked up 69M streams. The two-time Grammy-nominated, multi-platinum-certified act recently made their debut in Odd Mob's home country of Australia, following a standout summer of sold-out shows at Fabric London, Savaya Bali, and Ushuaïa and UNVRS in Ibiza, plus festival highlights at Tinderbox in Denmark and Nameless in Italy. After closing their festival season at Beats for Love in the Czech Republic, they'll unveil a brand-new live show at Niebo in Warsaw this November, before wrapping the year with a tour across Asia.

“We’re good friends with Odd Mob, so making this EP together felt really natural. We had been working on a bunch of ideas together after ‘Won’t Be Possible’ and sending ideas back and forth until we landed on ‘Undeniable’. For ‘Out Of Sigh Out Of Mind' with SCRIPT, we were all in London for shows at the same time and got together at a mate’s house very last minute to make some music. The session was the good kind of chaos and we managed to get the idea together pretty quickly before soundcheck. Releasing it just after our Australian tour makes the timing feel extra special, and we can’t wait to share it with everyone.” — Goodboys

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CONNECT WITH GOODBOYS

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KAPIR RETURNS TO SUNCTURE WITH NEW SINGLE ‘ONE TWO’

Out now, the LA-based producer delivers a punchy, off-kilter house cut built around intricate percussion, a huge distorted bassline and trippy, spoken-word vocals.

“One, two.” A simple phrase becomes the starting point for Kapir’s latest single, ‘One Two’, where crisp percussion, a rolling groove and a commanding distorted bassline combine to create a track with an unmistakable sense of attitude.

Out now on SUNCTURE, the production thrives on contrast. Intricate rhythmic details keep the groove moving, while the bassline brings weight and grit to the low end. Complementary synth riffs weave through the arrangement, introducing a melodic dimension that is deliberately less predictable, with dissonant tones adding tension and giving the track its distinctive edge.

At the centre sits a hypnotic spoken-word male vocal, delivered through short, memorable phrases: “One, Two”, “It’s Just Me And You” and “Dancing All Around, There’s Nothing Else To Do”. Rather than functioning as a conventional vocal hook, the words become another rhythmic element, locking into the percussion and reinforcing the track’s hypnotic pull. There’s a directness to the delivery that contrasts with the more unconventional melodic details surrounding it.

The result is a record that balances precision with raw energy. Every element has its place, from the crispness of the percussion to the sheer weight of the bass, yet the dissonant synth work prevents the production from settling into familiar territory. Funky, driving and slightly unpredictable, ‘One Two’ finds its character in the interplay between a tightly controlled groove and sounds that push against it.

The single marks another step in Kapir’s developing relationship with SUNCTURE. First appearing on the label alongside Sunora with ‘Sunset to Sunrise’, he has since explored a broad palette of sounds across solo releases ‘Fractal Ecstasy’ and ‘DÉSIR’, as well as the collaborative single ‘Gami Yami’ with Sunora. From deep, chunky house to more playful, unconventional productions, each release has highlighted a different aspect of his musical identity.

Founded by Sunora, the collaborative project of Chertkovski and Alar, SUNCTURE continues to build a catalogue centred on groove-led electronic music, bringing together artists with individual approaches to house, indie dance and contemporary club sounds. Kapir’s latest contribution adds another distinctive voice to that evolving musical landscape.

Kapir – ‘One Two’ is out now via SUNCTURE

JANUS RASMUSSEN TAPS JOSEPH RAY TO REMIX ‘FUMES'

Released on Embassy One, the Grammy-winning producer remixes one of the defining tracks from Janus Rasmussen's acclaimed 2026 album 'Inert'.

Following the release of his highly lauded solo album ‘Inert’ on Embassy One in June, Reykjavík-based producer Janus Rasmussen now invites Joseph Ray to put his own mark on ‘Fumes’. Known for a sound that moves fluidly between club-driven production and the more atmospheric edges of electronica, Ray approaches the track with a focus on rhythm, tension and momentum, transforming Rasmussen's original into something expansive, muscular and dynamic.

Due for release on October 16, the remix follows pølaroit's rework of ‘Doom’, the first reinterpretation to emerge from the Inert album cycle. Where the German duo brought their organic instrumentation and melancholic sensibility to Rasmussen's composition, Ray takes ‘Fumes’ in a driving breakbeat direction, reshaping its rhythmic framework while opening up the track's atmospheric qualities.

There's a natural connection between the two artists' approaches. Rasmussen's work is defined by a careful balance of intricate sound design, melody and emotion, while Ray has spent his career moving between the physicality of the dancefloor and more expansive forms of electronic music. Both understand the value of restraint, allowing atmosphere and gradual progression to shape the experience rather than relying on excess.

Ray's own catalogue has evolved considerably since the release of ‘Room 1.5’ on Anjunadeep in 2019. His work has moved between heavier, techno-leaning productions and more melodic, vocal-forward material, reflecting a restless curiosity and willingness to experiment. As part of NERO and through his solo work, he has developed a distinctive approach that continually blurs the boundaries between club music, electronica and songcraft.

His remix arrives as Inert continues to open up through the work of other artists. Released in June, Rasmussen's most ambitious solo project to date explored themes of inertia, creative freedom and personal momentum, while bringing his own vocals further into the foreground. Across the album, intricate electronics, melodic movement and emotional songwriting come together to create a world that leaves plenty of room for reinterpretation.

With pølaroit and now Joseph Ray offering markedly different perspectives on the record, the remix series highlights the depth within Rasmussen's compositions. Each rework reveals another layer of Inert, extending its musical language while allowing the contributing artists to bring their own identities firmly into the frame.

Janus Rasmussen Inert Album Tour Dates:

November 25 - Le Pop Up Parisien, Paris, France

November 26 - The Greyhound Peckham, London, UK

November 27 - BARdzo Bardzo, Warszawa, Poland

November 28 - Fluxbau, Berlin, Germany

Tickets: https://bnds.us/trsk4f