VENETIAN X CANADIANRAVERS INTERVIEW [TYPICAL DAY, MUSICAL DIRECTION, 2021 GOALS]

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Embarking on his musical journey at the age of 13, the self-taught musician immersed himself in a variety of instruments, which set the foundation for his musical development. Honing his craft, Venetian saw success in bands, such as We Are Saviours & Leokai and went on to share stages with musical icons such as Iggy Azelea and McBusted. Shifting his focus to his solo career, Venetian is determined to carve his own lane in the music industry and put his passion forward through the embodiment of his lifetime of music and broad styles. The hotly tipped musician has received staunch support for ‘Feel Me’ already, after entering the track in the Spinnin’ Records competition. After placing second, Venetian decided this was the perfect cut to establish his new sound and serve as a taster of what is to come from the multi talented singer, songwriting producer.

THE INTERVIEW

CR: Hello Venetian, Glad to have you on Canadianravers how are you doing?

V: “Not going to lie here, I love Canada. You guys are great! I’m amazing, thank you.”

CR: What is a typical day in the life of Venetian?

V: “I mean I swear every morning I have Frosties… think I’ve got a problem. I guess my days are made up of chilling with friends, working on tracks in the studio and then throwing a little gaming in there too. Weekends? Get me into a club or festival and I’m a happy guy.

If the weather's snowy enough I may go snowboarding at our local place too, I used to teach that at one point. Need a lesson just hit me up.

There’s also those moments where I look at my hair and think...is it time? Is it time to kill the bun?

Nah, bun for life bro.”

CR: Tell us a little bit of story behind the track ‘Feel Me’ from the writing, producing, and the inspiration? We also wanted to know if the vocals were your own.

V: “So there I was, staring at my screen, waiting for ‘inspiration’ to come give my face a lickin’ and that’s when I noticed the Spinnin’ Records competition hosted by Breathe Carolina (whom I love).

They basically said you had to use some of their samples in a track so I thought, why not? I had time to kill and needed an excuse to spend even longer working in the studio.

The track went big! It got that much recognition that it was listed as 2nd on the competitions chart. We’re still waiting on the Breathe Carolina boys to actually pick a winner but end at the spot is a huge 

I then thought I should probably release this, so I got working on the track.

2016 hours, 5 beard trims and enough demo’s to cover the car ride from England to you lot and we had the finished ‘Feel Me’.

I’m pretty sure my close friends hate me as I’d send them a ‘new’ demo after spending my day tweaking the pianos, changing a few notes here and there, thinking it was a big deal.

The vocals are all mine, I sang it in so many different ways but we all decided the whole futuristic pop vibe was the way to go with this. You can probably hear it but I got trigger happy with the pitch-shifted harmonies (no regrets?).”

STREAM/PURCHASE : ‘FEEL ME’ - VENETIAN

CR: We saw the music video that is featured with the track and got an edgy side to it, how did the idea behind that style of music video come to life?

V: “I like stories, in fact, I love stories. Now I couldn’t get to a hotel in Long Beach to shoot any scenes, so we made do with Birmingham city. The idea is me and the girl I'm flexing are just walking around laughing at bad jokes when those pointy masks guys roll up and kidnap us. The story is about me fighting (and dancing?) through them to get to her.

Then there’s a lil twist at the end…

I’m pulling a ‘shock’ face, I hope you are too

We worked with LG Vision (WHO WERE INCREDIBLE), who took the storyboard I had and turned it into reality. They’ve worked with some big names over here and are great at giving something that gritty, edgy vibe.”

CR: We noticed you have been producing for a while and your style of music was different from your previous work, what made you change your style?

V: “Hey! You heard my old stuff! I don’t want to be that guy but ‘The Tallest Mountain’ is totally my favourite, that boy always gets the max volume treatment.

There was this phase where I went all Disney, must have been something in our water…

To be real with you, I never really changed my style, but rather evolved. The more I wrote, the better I got at producing and the better I got at creating songs, to a point where I could create what I was visualizing in my head. Don’t get me wrong I still hear ideas in my head that I know I’ll learn to create in the future.. I’d say I’m pretty versatile in terms of what I make as it depends on how I’m feeling the day I sit in the studio. I’ve never sat down and set out to make a certain ‘style’ of song.

In reality, most of the releases sounded completely different to when I first created them, it all really depended on what was happening in my life at that very moment and whether or not I had a good - or bad - day. The crazy part is if you asked me to recreate the track, I wouldn’t be able to, because I can’t replicate those emotions without experiencing them at that moment. “

CR: We know the Dance scene is huge in the UK, how did that influence you as an artist? Also, which club in the UK is your favourite to attend.

V: “I’ve always been into dance music (and about 24242 of the sub-genres of it too). Growing up I listened to so many different artists and genres. If we’re talking the dance side of things, Calvin Harris, Tiesto, Armin Van Buuren, Tritonal, Kwassa, Martin Garrix...I could go on for ages, but listening to all of these at parties, club nights, festivals made me want to get into this genre of music. I love the energy, the whole unsolicited bop that you start doing without even realizing it, the way it can make a great night go from “yeah same again next week?” to “ahhhhhhhh yeahhh!” My favourite club used to be Gatecrasher but that place was shut down, though there’s some crazy venues in Manchester though! The O2 academies over here are always ace too.

CR: Who inspired you to become a Producer/ DJ and If you weren’t a Producer/DJ what would your other career option be?

V: “I started music when I was 13 on a Casio keyboard playing the tutorial for some Beethoven song a million times over. Over the years I self-taught myself a few instruments and there was this band, You Me At Six fronted by Josh Franceschi. They were not dance or edm at all, but that’s what made me push harder in music than ever before. We all have artists that inspired and pushed us - without them ever knowing - in our childhoods, these guys were (and still are) mine. There were other people I met through my life that gave me more inspiration and helped get me in the right direction when I was younger too, as well as teaching me how to produce music ( shoutout to Bryce Pain and Nick Hollis)

And my alter-ego’s career? I actually wanted to be a vet when I was super young because you know, animals are great. “

CR: As we are all in a lockdown are there any genres that are inspiring you to create your next tracks?

V: Summer is coming and the boredom of lockdown is leaving me needing some amp in my life, so a lot of my playlists are made up of big floorfiller tracks at the moment. I want the next release to be another upbeat stepper so I’m clouding my brain with that genre at the moment.

CR: Are there any UK based artists that you would love to collaborate with in the future?

V: Ah, there’s loads I’m loving at the moment, but to name a few. L Devine, Clean Bandit, Jax Jones, Kwassa, Sigala...

CR: What are some of your goals for 2021, anything our followers should know about?

V: See, the crazy thing about having all this free time, is the amount of music I’m creating. I’ve been going hard to get my favourites finished and ready for release this year. We’re looking at dropping something this summer with a huge (who knows what) happening in the 2nd half of the year!

Lighting Round for Venetian

Texting or talking? Texting

Coffee or tea? Tea

Hard liquor or Wine? Hard liquor

Cake or pie? Cake

Hot dogs or hamburgers I’m veggie so...urrm….veggie burgers?

Xbox or PlayStation? Xbox

Movie theatre or arcade? Movies

Guitar or piano? Piano

Marvel or DC Comics? Marvel

Dog or cat? Dog

Hot weather or cold weather? Hot

CONNECT WITH VENETIAN

ZIGHT X CANADIANRAVERS INTERVIEW [RECENT TRACK, BEST ADVICE, BIGGEST SUPPORTER]

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Zight is an emerging EDM artist hailing from Hong Kong. His style is distinctly upbeat, fusing feel good melodies to euphoria-dripped soundscapes and thunderously thumping rhythms. His creative process is unique in the way he crafts his iconic sound. The artist suffers from the disorder “synthesia”, which means his emotions are often transferred into melodies in his mind. The result is something authentic and oozing with originality. Forming a unique bond with music from an early age, burgeoning producer Zight is ready to leave his mark on the dance music world.

THE INTERVIEW

CR: Hello Zight, Glad to have you on Canadianravers how are you doing?

Z: It’s so good to meet you guys. :]

I’m doing great. Social lockdown in Hong Kong. No distraction from the outside world. 100% focus on making music.

CR: Tell us a little bit of the story behind the track ‘Fly Away’ connecting with Sonna Rele to write and produce this track, as well where did the inspiration come for it?

Z: Actually the chorus of “Fly Away” is a piece of melody that stayed in my hard drive for 11 years, like when I was a kid. I have melodies popping in my head occasionally. Most are dull, few are worth recording. I can’t remember exactly how I recorded “Ya gonna be okay, you gotta fly gotta fly away” in my mp3 player. Guess it was the dream of the kid, who just wanted to fly away.

It was a long journey after that. Anyway, I finished “Fly Away” in October last year. And then I tried to contact many singers on Instagram, Youtube, through emails and DMs. One day Sonna Rele replied me. I remember her voice in “Strong”, the theme song of the Disney movie “Cinderella”, so sweet yet so much strength. At that moment I knew she is the singer I’ve been looking for.

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PURCHASE/STREAM : SONNA RELE + ZIGHT ‘FLY AWAY’

CR: What is the best advice you have received while pursuing your career as a DJ/Producer?

Z: Oh there is one piece of advice that helped to improve the quality of my songs - be a professional listener. You have to learn to listen, to analyze, to learn from these songs from the famous producers. The chords, instrumental structure. Listening is far more important than producing.

CR: We know EDM scene is getting huge in Hong Kong how did that influence you as an artist? Also, which club in Hong Kong is your favourite to attend.

Z: It is definitely growing! The mainstream music market here is still dominated by old-fashioned Cantonese love songs. Guess that’s one of the reasons why I wanted to “fly away”.

CR: What do you like to do during your downtime other than producing music?

Z: Actually, I’m a pretty nerdy person. I’m into music theories, piano and music production. Well, for the rest of the time, computer games. Cities Skylines, Planet Coaster. I like strategy simulation games. In these games, you build nice, beautiful cities, and enjoy walking in it. I have a feeling that the DAW and my synthesizer the new “game” that I play with. I “build” nice, beautiful music and enjoy listening to it.

CR: DJs/ Producers travel with multiples of that one item, what is that item for you?

Z: My laptop with Splashtop, a software that remotely connects to my studio desktop. That’s all I need.

CR: Who is your biggest supporter as a Producer/ DJ?

Z: I should announce two names.

Davide Hausmann, my latest teacher in music production. He is the guidance, my mentor in dance music production. I sincerely thank him for every piece of advice.

My younger sister Remi. During the very challenging periods of startup (an online art gallery), and then the very beginning of music production. She consistently supports me to pursue what I feel right to pursue. During the production process, I have so many AB options, like, hey sister, “A” sounds better or “B” sounds better? She consistently gives me her honest opinions. I just want to say thank you to her.

CR: Since we have all been in lockdown, what genres have you been listening to get some inspiration for your next track?

Z: Actually, what I do at this moment is “extracting” beautiful melodies which have been stored in my hard drive over the past 20 years. I rate these melodies, from A grade to E grade, into different folders, different genres. I constantly hear good melodies now for sure, but not as good as what I heard when I was a kid I gotta admit.

CR: Are there any other projects that you are working on that our followers should know about?

Z: “Keep Running”, a song for all runners, collaborating with cover singer Peter Forest. I have strong faith that the pandemic is going to end very soon. I do hope “Keep Running” will bring some positive and energetic vibe to the post-pandemic new bright world.

Lighting Round for Zight


Texting or talking? Texting

Coffee or tea? Coffee

Hard liquor or Wine? Hard liquor

Cake or pie? Cake

Hot dogs or hamburgers? Hotdogs

Xbox or PlayStation? PC please :)

Movie theatre or arcade? PC please :)

Guitar or piano? Piano

Marvel or DC Comics? Marvel for sure

Dog or cat? Cat

Hot weather or cold weather? Cold weather

Zight Socials:

SUB•LABEL X CANADIANRAVERS INTERVIEW [HOW IT STARTED, FOLLOW THE PUPIL, FAVOURITE EVENT]

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If you have ever attended an event in Toronto, you have spotted the eye in the crowd. Daniel Spata, the creator behind Sub•Label, has made a name in the Toronto rave scene. We love the brand he has created, along with a small community within Toronto. Sub•Label also created some dank memes for their followers for a daily dose of laughter in times like these. We have been following his journey since 2017 and wanted to sit down and get to know the name a little bit better. We hope to see more pupils in the crowd whenever raves do return.

THE INTERVIEW

CR: Hello SUB•LABEL, Glad to have you on Canadianravers how are you doing?

SL: Hey guys, thank you so much for having us we appreciate the love! We’re doing great, really excited for what’s to come for us in 2021.

CR: First, how did the idea come to life? Tell us everything about your story?

Daniel Spata (The Creator of SUB•LABEL) with his famous Clubrats shirt!!

Daniel Spata (The Creator of SUB•LABEL) with his famous Clubrats shirt!!

SL: Ouffff where do we begin...While the brand officially launched in 2015, Sub•Label the idea, started back in 2013/14. Back then I was attending every festival and event I could go to and I remember seeing the merch available and thinking “this all fucking sucks" lol - no offence to them it was just not my thing. From there I started making custom gear for myself to wear then my friends saw it and liked it. Then I made custom gear for them. Then random strangers would ask them where they got it from...so on and so forth. The name “SUB•LABEL” is the marriage of 2 things... “SUB” meaning sub-culture/subterranean (underground) and “LABEL” conjoining clothing and music.

CR: What is a typical day in the life of SUB•LABEL?

SL: We usually keep in contact throughout the day via group chat, sharing the latest tracks we’ve found, tidbits of news, Guy Fieri gifs etc. Then in the evening we do our daily posting to the feeds and reply to all your DM’s, comments, mentions and emails.

Once that is done I get to work hand printing, decorating and fulfilling all the apparel orders. We all work demanding full-time jobs and sub•label is a daily grind but I wouldn’t have it any other way.

CR: You guys are very well known in the Toronto Techno/House Scene, how was it, in the beginning, trying to make a name for yourself?

SL: First off, thank you, that’s so dope to hear from a third-party perspective. Second, fucking tough and It still is. When I started I was not a DJ, producer, promoter or anything connected to the scene...I was just a club kid who loved the music. No connections meant no shortcuts and that’s how I approach it even today. In my eyes, we haven’t done shit yet...

CR:  We know you have had your booth in a lot of events, which one is by far your favourite and why?

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SL: You can’t see me but I am smiling right now thinking back to all our ELECTRIC ISLAND tents! being able to put faces to Instagram handles is amazing (I realize I can see pictures on the IG but it’s not the same fuck u haha). Meeting and interacting with everyone in IRL is pure magic and something I never want to take for granted. The cherry-on-top is walking around the festival and being blown away by everyone who either wore the gear to the festival or purchased it there, it’s so priceless and humbling.

CR: Where did the ‘Follow the Pupil’ term start?

SL: Follow The Pupil was something that started completely on its own which makes it so cool to us. For those who don’t know, our sub•label logo was designed to look like an eyeball. So people would rock their gear at events and we would get tagged on IG by others who’ve spotted them in the crowd or dancing and would take videos and stuff. Our “pupil” logo would be seen throughout the crowd and it kinda became an inside thing for anyone who knows of the brand.

Its kinda like a game...look for the pupil, follow the pupil I guess 

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CR: What is the best advice you have received while pursuing your dream?

SL: The best advice I’ve received is “if you want to go fast go alone if you want to go far go together”. This is something I struggle with as I’m an introverted, DIY type person and perfectionist on top of that. The problem with this is it’s literally impossible to grow when doing everything yourself. Luckily 2 very close friends of mine help with posting content to the main feed and curating our banging monthly playlist...shout out to @len0xmusic and @jondraper_ respectively! So grateful to have them to share all the highs and lows with <3

Honourable advice mention: “Art is never finished only abandoned”

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CR: Can you describe the process from the idea to printed merchandise? How long does each step take before you go to the next? Do you get an “in the zone” feeling when you do create a new design?

SL: This process is almost never linear for me. Ideas strike whenever or wherever TF they want and you have to be ready to make note of them at any moment. I’ll usually jot down these ideas in my notes on my phone or a physical note pad if I have one handy...I’ll then try to create a super rough digital version of it while it’s fresh. From there it can sit for weeks, months even years before it sees the light of day. I’ll occasionally sift through “old” ideas and edit/fine-tune them at a little bit each time until they’re at the point I feel comfortable releasing them. If you’re wondering where all these ideas are, refer to the honourable advice mention in question #7 ;) Looking to abandon more art in 2021.

CR: The music/entertainment industry is in the dumps right now and everyone is doing their part to keep things afloat, how did you guys connect with the guys from ‘For the Underground Festival Toronto’ to help Toronto underground scene?

SL: Yeah, we’re super stoked to be apart of something so special and close to home. Our homies at UPH actually hit us up and asked if we wanted to be apart of this! No question, any chance to help support our local venues and artists we jumped at. Shout-out out to AD the Kid who also had a hand In the initiative's conception.

CR: Tell us a little bit more about your music taste, what is your favourite genre and some artists?

SL: How much time do we have? Haha, my music taste Is pretty damn wide but is generally dictated by what phase I am in at the moment. Electronic takes the cake 95% of the time (techno, house, trance) but I am also a big pop-punk fan and huge slut for classic rock and 80’s music hahaha.

CR:  You have hosted some artists on your page, will your brand ever turn into an imprint for some of the underground artists to showcase their music?

 SL: I believe that half of the opportunity is timing...The label is in the name for a reason ;) Stay tuned 

CR: We know you collaborated with several artists and events locally for creating their merchandise, will you collaborate with more artists/events outside of techno/house to put your name out locally/internationally?

SL: Absolutely. While sub•label is rooted in Techno and House, SUB stands for anything sub- culture. With that being said, whatever we do must always remain authentic to our interests and beliefs.

CR:  What is the future looking like for you guys as 2021 is around the corner, anything the followers should know about?

SL: Wanna be careful not to jinx 2021 with any of that “new year, new me “bullshit but honestly, we’ve never been more excited about the brand’s direction and what’s to come. I have a fuck ton of unreleased shit we’re working hard at releasing and we’re excited to just continuing this journey, taking risks, learning, FAILING, growing, trusting the process and putting everything we have into it. sub•label has always has been rooted in passion and persistence and this year will be no different.

Lighting Round for SUB•LABEL

1. Texting or talking? Texting ( I’ll still respond in 3-5 business days)

2. Coffee or tea? Coffee

3. Hard liquor or Beer? Liquor (vodka only doe)

4. Cake or pie? Cake

5. Hot dogs or hamburgers? Burgs

6. Xbox or PlayStation? Playstation all-day

7. Movie theatre or arcade? Movie theatre

8. Marvel or DC? Batman is my fav but as a universe overall, Marvel.

9. Electric Island or Piknik Montreal. Electric Island...only bc I’ve never been to Piknik!

10. Vertigo or Stereo. Vertigo....again, only bc I’ve never been to Stereo (I know I know)

11. Coda or Toybox. CODA...sorry Toybox fam :P

12. House or Techno. House...Nobody Listens To Techno ;)

SUB•LABEL SOCIALS