EMIKA REIMAGINES ‘SPACEWALKS’ IN A CINEMATIC SONIC JOURNEY // FFO:ÆSTRAL, ENJOII AND BONJR

Independent electronic and neo-classical artist, composer, producer and singer-songwriter Emika reimagines Textbook Maneuver’s ‘Spacewalks’, delivering a cinematic, atmospheric remix that transforms the original into an immersive journey through sound. The remix arrives 13 November 2026 via Life Science Records.

Born in Milton Keynes to a British father and Czech mother and now based in southern Germany, Emika has earned support from Thom Yorke and BBC Radio 1’s Mary Anne Hobbs across eight critically acclaimed albums, while her solo piano work has surpassed 17 million Spotify streams. Her music has been sampled by The Weeknd and featured across film, television and video games. She has performed at major festivals including Glastonbury and Atlas Weekend, while her immersive audiovisual show If We Disappear has sold out planetariums across Europe. In 2015, she founded Emika Records, an independent platform spanning electronic and classical music.

Hailing from the Bronx and currently based in New Jersey, composer and artist Textbook Maneuver continues to carve out a distinct presence within the experimental electronic landscape. His prior track received a reimagining from IDM pioneer µ-Ziq (Planet Mu), which launched via an exclusive feature in Wonderland Magazine. A classically trained pianist with a punk DIY spirit, he combines intricate sound design with cinematic storytelling, drawing on influences spanning Genesis, Rush, Gary Numan, The Postal Service, U.N.K.L.E. and Phantogram. With a natural affinity for film, TV, and interactive media, Textbook Maneuver is expanding his profile as a film composer and sync artist, blending IDM, ambient, and prog-influenced electronica into expansive soundscapes.

Emika’s reimagining of ‘Spacewalks’ opens with the feeling of drifting through desolate space. Washed-out synthesised pads are layered over swells of vocal samples and undulating basslines, creating a cinematic yet immersive atmosphere. The percussion remains upbeat but loosely defined, with a full kick drum only introduced in the second half of the track, as the rest of the mix is sidechained to its steady rhythm. The track closes on a dramatic, cinematic note, with the percussion falling away as the pads and vocal swells play out their final notes. ‘Spacewalks’ is sure to ensnare fans of Æstral, enjoii, and Bonjr. 

Emika shared: “The original track and concept of a space walk sparked so much inspiration, the remix is an intuitive response through my music and studio space. A lot of the textures are micro cuts from the original and the rest I performed live in my studio to capture the true nature of movement in there as a vibe.”

 Image credit: Karen Vandenberghe

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MOODY GOOD AND DR. USHUU UNITE FOR HEAVY-HITTING NEW COLLABORATION “BOUNCE FM” VIA DEADBEATS

THE TWO BASS MUSIC POWERHOUSES JOIN FORCES ON A LONG-ANTICIPATED ID, FUSING MENACING LOW-END, ENTRANCING VOCAL CHOPS, AND EXPERIMENTAL SOUND DESIGN.

Diving deeper into his audio-visual world of SPEEEDBUMP, iconic UK producer Moody Good joins forces with Portuguese artist Dr. Ushuu for their highly anticipated collaboration, “Bounce FM,” arriving via Deadbeats. Bringing together two distinct creative forces in experimental bass music, the release pushes into heavier territory, combining hard-hitting basslines, hypnotic vocal chops, and intricate sound design into a high-impact production built for the dancefloor.

Already making appearances in both artists’ sets and teased by additional artists including Casey Club, “Bounce FM” has steadily built anticipation as a sought-after ID. Now officially arriving, the collaboration captures the chemistry between two producers known for their willingness to experiment with sound, delivering a track that balances relentless low-end pressure with an unmistakable sense of groove.

Behind the Moody Good project is a producer whose influence stretches across electronic music, film, and sound design. First making his mark as one half of the groundbreaking UK duo 16bit, Moody Good helped shape a generation of forward-thinking bass music before fully developing into an outlet for his boundary-pushing production. His work extends well beyond the electronic scene, including production contributions for Björk and sound design work for major film productions such as Transformers. 

Known for turning unconventional sounds into intricate, hard-hitting compositions, Moody Good continues to explore the outer edges of electronic music through his releases and evolving SPEEEDBUMP audio-visual concept, which came to life earlier this year alongside Deadbeats with his SPEEEDBUMP 01 EP.

Joining him is Dr. Ushūu, the Portuguese producer and DJ who has steadily carved out his own space in the global bass music scene since 2016. Initially gaining recognition through explosive dubstep releases, Dr. Ushūu has continued to evolve his sound, recently returning to the foundations of 140 BPM dubstep with a deeper, groovier, and more urban direction. 

His breakout single “Quasar” surpassed 500,000 streams and earned support from artists including Knock2, SLANDER, Ray Volpe, ATLiens, and DJ Diesel. More recently, “Camden Town” reached the Top 10 of Beatport’s 140 / Grime / Deep Dubstep chart, where it remained for two consecutive months, while earning support from key figures including Mala, Coki, Truth, Caspa, Zeds Dead, and Mersiv.

With releases across respected imprints including Disciple, Subsidia, Bassrush, and Insomniac Records, alongside performances at major festivals such as Tomorrowland, Rampage, Forbidden Kingdom, and Lost Lands, Dr. Ushūu continues to expand his reach while developing a distinct musical identity rooted in the foundations of dubstep.

“Bounce FM” brings these two approaches together, pairing Moody Good’s experimental production sensibilities with Dr. Ushūu’s evolving take on modern 140 and heavyweight bass music. The result is a long-awaited collaboration that has already found its way into the sets of both artists and is now ready to make its official impact.

He is the mastermind behind Moody Good and the legendary duo 16bit. Eddie’s career is a dynamic tapestry of UK bass and groundbreaking soundscapes. From producing tracks for the likes of Björk to crafting exciting sound design for movies like Transformers, his work is as diverse as it is influential.

Eddie’s journey began with 16bit and Broken Note, where he quickly made a name for himself in the UK bass scene. His innovative sound design set new standards in electronic music. As Moody Good, Eddie continued to push boundaries, blending genres and creating music that defies categorization.

Whether he’s performing at festivals, collaborating with other artists, or producing tracks that make your neighbors question their life choices, Eddie’s passion for music is evident in every beat. His ability to turn noise into art has earned him a place among the elite in the music industry.

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Dr Ushuu, the musical alias of Portuguese DJ and producer Daniel Cabral Roças, has been shaping his own lane in electronic music since 2016. Known for his genre-fluid approach and emotionally driven productions, Dr Ushuu blends powerful bass music energy with cinematic and galactic sound design, creating a universe where intensity meets atmosphere.

After building his reputation through explosive dubstep releases, Dr Ushuu is now entering a new artistic era, returning to the roots of 140 BPM dubstep with a groovier, deeper, and more urban sound. His recent performances have evolved into full 140 sets, reflecting a refined musical identity inspired by the foundations of UK dubstep culture while maintaining his signature festival impact.

His breakthrough moment came with the release of “Quasar,” a defining early hit that surpassed 500,000 streams worldwide and gained support from major artists including Knock2, SLANDER, Ray Volpe, ATLiens, DJ Diesel, and many more, establishing Dr Ushuu as a rising name within the global bass music scene.

Continuing this momentum, his recent single “Camden Town” marked a major milestone, reaching the Top 10 of Beatport’s 140 / Grime / Deep Dubstep charts, where it remained for two consecutive months. The track earned widespread support from key figures across the spectrum of bass music—including Levity, Zeds Dead, Mersiv, Mary Droppins, Mala, Coki, Truth, Caspa, and Moody Good—while also landing Dr Ushuu as the cover artist of Dubstep Don for an entire week.

Over the years, Dr Ushuu has released music on some of the most respected labels in electronic music, such as Disciple, Subsidia, Bassrush, and Insomniac Records. His productions have received continued support from leading artists including Excision, Subtronics, NGHTMRE, Knife Party, DJ Diesel, Ray Volpe, and many others, reinforcing his position as a versatile and forward-thinking producer.

His collaborative catalogue includes notable releases such as “Madara” with IVORY, “Diamonds” with Modestep, and “Stompe” alongside Samplifire, Bizo, and Ecraze, supported by over fifteen major artists including Black Tiger Sex Machine, PhaseOne, ATLiens, and Dirtyphonics. From underground clubs to some of the world’s most prestigious festivals—including Tomorrowland, Forbidden Kingdom, Rampage, and Lost Lands—Dr Ushuu has captivated audiences with performances that bridge raw bass energy and immersive storytelling.

With a constantly evolving sound and a renewed focus on deep 140 dubstep, Dr Ushuu continues to push boundaries while reconnecting with the genre’s core foundations, positioning himself as one of the emerging voices shaping the future of modern bass music.

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ANK FUSES HARD HOUSE AND BOUNCE ON EUPHORIC, RETRO VIDEO GAME-INFUSED RAVE SINGLE "TRANSITIONING FROM LIFE" VIA NIGHTMODE

Returning to NIGHTMODE after an explosive debut, anonymous house project ANK reveals the sophomore single “TRANSITIONING FROM LIFE,” a high-octane collision of hard house, Euro bounce, and retro rave nostalgia. Out November 13th, the track channels the neon-soaked energy of ‘90s and early-2000s dance culture, drawing inspiration from classic video games like ‘Jet Set Radio’ and the era's distinctive neo-punk aesthetic. Concealing their identity behind a mask, ANK continues to let the music speak first, embracing the unfiltered euphoria and playful spirit that defined formative rave experiences.

“TRANSITIONING FROM LIFE” pushes that ethos into a tightly wound club weapon, pairing minimal production instincts with hard-hitting bounce and a distinctly Euro groove. Radiant basslines and pumping rhythms build a relentless foundation, while retro synth leads, woozy atmospherics, and uplifting, soulful vocal loops inject emotional highs throughout the arrangement. Moving between euphoric release and unflinchingly controlled momentum, the production balances its nostalgic influences with a contemporary hard house framework. Its infectious 8-bit progressions are entrancing, capturing the kinetic, almost game-like rush at the heart of its design.

The release follows ANK’s September debut single “SHE DOESN’T KNOW,” which introduced the project’s distinctive fusion of contemporary house and nostalgic rave energy. The track quickly caught the attention of tastemakers, earning editorial playlist support from Spotify (All New Dance, Fresh Finds Dance, Deep & Minimal), Apple Music (New In Dance, Breaking Dance) and SoundCloud (LEVEL UP). Alongside key playlist placements, the debut received mixshow spins from BIJOU and Tomo Hirata, and tastemaker support from KETTAMA, Tiësto, Camoufly, TWOFACED, X CLUB, Jip Hart, Lefrix, BURNEY, Pacque, and LAMMER. Additional social support from BBC Radio 1, 1001Tracklists, Breakaway Music Festival, EDM Residence, Befesti, Dance Discs, Ojlud Blog, and Hide The Junk has further established ANK’s rapidly expanding footprint.

Unburdened by image, ANK continues to carve out a space where mystery, movement, and unapologetic fun converge. Their mask-wearing identity places the emphasis firmly on the music, drawing from the neon-lit energy of early dancefloors while embracing a contemporary house sound built for collective release. With “TRANSITIONING FROM LIFE,” the emerging project deepens its connection to the euphoric, genre-blurring spirit of rave culture, translating its influences into a forward-facing club record. With their return to NIGHTMODE, ANK reinforces a creative direction rooted in nostalgia without being confined by it.

"The track just makes you feel like you are in a geometry dash level." "Thanks to NIGHTMODE for the money (We are accumulating generational debt)"–ANK

Unburdened by image, ANK lets the music speak first. Concealing their identity behind a mask, the emerging project taps into the neon-lit energy of ’90s and early-2000s dancef oors, filtering that sense of unfiltered joy through a contemporary house lens. Their productions favor raw energy and movement, carrying the kind of immediacy that feels equally at home in a packed club or a late-night warehouse party. That instinct has already found support from industry tastemakers including Tiësto, KETTAMA, Twofaced, and IDEMI, with a growing trail of IDs and teasers continuing to build momentum across TikTok and Instagram. There’s a natural playfulness to ANK, from the mask itself to the larger world surrounding the project, but the music remains the clearest introduction. Rather than leaning into the usual restraint of dance music’s image-driven culture, ANK embraces the messier, more euphoric side of the dancefloor. Their music is made to be felt at full volume, with no need to stand still or play it cool. As the project continues to unfold, ANK is carving out a space where mystery, movement, and unapologetic fun can exist on the same floor.