RÉVEILLON CARNEIROS CELEBRATES 10 YEARS WITH BLACK COFFEE, MICHAEL BIBI, ANOTR AND JAMIE JONES

Brazilian New Year’s festival returns to Praia dos Carneiros from 26 December 2026 to 2 January 2027 with 94 acts, three stages and a new Wellness Club

Réveillon Carneiros will celebrate its 10th anniversary with an eight-day edition on Brazil’s northeast coast when it returns to Praia dos Carneiros in Pernambuco from 26 December 2026 to 2 January 2027.

The anniversary edition plays out under the theme of The Eternal Now, reflecting on ten years of the festival and the meeting point between past, present and future: the now. At a time when attention is constantly being pulled elsewhere, the theme asks a simple question: Are you here now?

 

The festival brings together 94 acts across electronic and Brazilian music, spanning different scenes and generations. Black Coffee, Michael Bibi, ANOTR and Jamie Jones lead a lineup that also includes Jimi Jules, Kerri Chandler, Mau P, Monolink, WhoMadeWho, Hot Since 82, Carlita and Franky Rizardo.

 

The programme also features a series of special back-to-back sets, including Adriatique b2b Vintage Culture, Mochakk b2b Maz and Adam Ten b2b Mita Gami, while Brazilian music will have a key presence with Gilberto Gil performing with Gilsons, alongside forró artist João Gomes, Thiaguinho and Syon Trio.

 

Réveillon Carneiros will also introduce its first Wellness Club for the 2026/27 edition, created in collaboration with NOW Festival. Conceived as a daytime club with its own programme, the space will feature a sauna, ice bath and massage treatments, alongside workouts, yoga, pilates, talks and workshops. Guests will be able to come and go throughout the day, with access included with both the Full Pass and Night Pass. The existing Ritual programme will also return, offering meditation, sound healing and other wellness sessions throughout the festival.

 

As part of its 10-year celebration, Réveillon Carneiros expands to three stages, with the new Labryinto Stage joining the Main Stage and Trópico Stage. Created in collaboration with Labryinto, the collective behind gatherings in Guanacaste, Costa Rica, the new stage will combine electronic music with its own approach to architecture and production.

 

The Main Stage will host the festival’s larger-scale performances, while the Trópico Stage will offer a more intimate setting with a house-focused programme. Across the three spaces, the festival will present different musical directions throughout its five Night Celebrations.

 

The Night Celebrations run from 10pm to 6am, with New Year’s Eve extending from 8pm to 8am. Both the Full Pass and Night Pass include an open bar and food throughout the night, with food served by Arcádia.

 

The programme continues at Mouton Beach Club, with six sunset parties running from 4pm to 10pm. Villa Mouton serves as a central meeting point throughout the experience, bringing together services and conveniences across the eight days.

 

The 2026/27 edition marks a decade since Réveillon Carneiros first launched in Pernambuco. Over that period, the festival has developed from a local New Year’s celebration into an international event, with the previous edition welcoming guests from 68 countries and every state in Brazil.

 

Ten years after its first New Year’s celebration in Carneiros, the festival returns to where it began, looking back at its history while asking what it means to be present now.

THE AVENER REIMAGINES JEANETTE’S TIMELESS CLASSIC ‘PORQUE TE VAS’ INTO SUN-SOAKED FRENCH TOUCH ANTHEM

French electronic maestro Tristan Casara, known globally as The Avener, is set to heat up the autumn months with a vibrant new rework of Jeanette’s timeless classic, ‘Porque Te Vas’. Releasing on October 9, 2026, via Capitol and 96 Musique, the track sees the celebrated producer putting his signature spin on the legendary melody. 


Masterfully turning the beloved original into an irresistible invitation to dance, The Avener blends the track’s instantly recognisable acoustic charm with driving electronic energy and sun-soaked grooves. The feel-good single serves as a thrilling preview of his highly anticipated forthcoming album, perfectly tailored for both global dancefloors and curated playlists alike.


This latest offering is a natural progression of The Avener’s sweeping 2026 artistic renewal, marking a return to his first love: pure club culture. Highly influenced by the golden era of French Touch pioneers like Daft Punk, Cassius, and Stardust, Casara is embracing a powerful ideal inherited from disco: creating music designed to make bodies connect and emotions flow. Much like his recent collaboration "Starlight" alongside house legend Ultra Naté, his fresh take on ‘Porque Te Vas’ explores a heavily dance-oriented territory while maintaining the ambitious harmonies and refined production that define his work. It is music created to be fully experienced, where sophistication and accessibility coexist naturally.


The elegance of The Avener’s sound is rooted deeply in his unique musical upbringing, which began with rigorous classical training at a conservatory in Nice. By age 14, he was splitting his time between disciplined daytime studies and nighttime immersions in the city's vibrant club scene, absorbing funk, disco, and house firsthand. This rare fusion of classical foundation and underground energy laid the groundwork for his historic 2015 breakthrough, with the global hit ‘Fade Out Lines’ which Francis Mercier remixed and celebrated together at Hi Ibiza earlier this year. That debut single skyrocketed him from local DJ booths to major international festival stages, cementing his status as a leading figure in the "French Touch 2.0" wave alongside artists like Kungs and Feder.


Since that meteoric rise, The Avener has amassed a staggering three billion streams, earned multi-platinum certifications in over 10 countries, and even secured a coveted spot on Barack and Michelle Obama’s highly influential playlist. Now, with ‘Porque Te Vas’ and his upcoming album project, he opens an exciting new chapter that honors the dancefloor culture that first inspired him.


EXIT AND P+US MAKE HISTORY AT THE GREAT PYRAMIDS OF GIZA WITH STARLIGHT FESTIVAL'S SPECTACULAR DEBUT

Charlotte de Witte, Michael Bibi, Adriatique and Indira Paganotto lead sold-out first edition, with fans from 114 countries

Award winning EXIT festival together with P+US, Venture Lifestyle’s electronic music platform, launched Starlight Festival in spectacular fashion against the backdrop of the Great Pyramids of Giza, drawing music fans from 114 countries.

On 9th-10th October at a designated site overlooking the pyramids, Starlight was the first ever multi-day, multi-stage electronic music festival staged at Giza. The sold-out festival was the largest electronic music event at the last surviving Wonder of the Ancient World since Jean-Michel Jarre’s millennium concert in 1999.

The success of Starlight carries even greater significance as the festival marked the culmination of EXIT’s international tour, launched after the globally acclaimed Serbian festival was forced to leave its home country following its public support for student-led protests in Serbia.

Charlotte de Witte led the lineup with her first-ever performance in Egypt, joined by Michael Bibi, Adriatique, Indira Paganotto, Enrico Sangiuliano, Vintage Culture, Pete Tong and WhoMadeWho, among 60+ international and regional artists across several stages.

The production was designed by Sila Sveta, the multimedia design studio behind some of the most-renowned global ceremonies and concerts. Its light show used optical illusions to make the pyramids appear to float above the main stage, setting a new benchmark for visual artistry in the global festival scene.

After the main stage, the busiest area was EXIT’s No Sleep stage, which brought Charlie Sparks, BIIA, Layla Benitez, Paolo Ferrara and Olympe to Giza. Fiona Kraft, Floyd Lavine, Lanna, Coeus, Reblok, Clonee and Deer Jade also played, alongside many regional artists. The standout live sets came from WhoMadeWho and Satori, and Gioli & Assia who closed the weekend at Sunday’s farewell show in Cairo.


But it was the international crowd that left the biggest impression. Fans from 114 countries made a holiday of it, dancing through warm desert nights with the pyramids behind them before exploring the rest of Egypt.

Michael Bibi brought his parents for the weekend and, after his main stage set, slipped into the No Sleep crowd to dance incognito. Charlotte de Witte stayed three days with her father and friends, riding camels and trying local food. Indira Paganotto arrived with her 13-strong ARTCORE crew straight from the Ibiza closing at UNVRS, staying until Monday to fly over the pyramids and cruise down the Nile.

With its first edition, Starlight has become a new must-attend, bucket-list date on the global electronic music calendar. Pre-registration is already open for Starlight Festival returning across 5th-6th November, 2027