KÖLSCH EMBARKS ON NEW CHAPTER WITH VISIONARY LP: KINEMA

THE STORY CONTINUES LIVE WITH KÖLSCH AND THE MACHINE, PREMIERING AT AMSTERDAM DANCE EVENT BEFORE EMBARKING ACROSS EUROPE.

renowned Danish DJ and producer Kölsch is set to release his next full-length album, an inspired ten-track effort that underscores his rare gift for channeling rhythm into emotion and back again. Titled KINEMA, the project arrives alongside the launch of his new live show, Kölsch and the Machine, premiering October 23rd at Amsterdam Dance Event. Together, the two endeavors signal an inspired new chapter for Kölsch: an artist defined by introspection, now channeling the highs and lows of life into an evocative, story-driven sound.

Where Kölsch’s past albums have traced the contours of personal memory (1977, 1983, 1989, Now Here No Where - I Talk To Water), KINEMA translates intimacy into motion. The title itself, drawn from the Greek word for “movement,” signals both the dynamic scope of the music and its physical counterpart on stage. Each track is a scene, some intimate and suspended in a dream, others with sweeping club energy, all stitched into a sonic arc that reflects the journey of life itself.

The journey embarks with 'Waste My Time', a restrained and soft-spoken prelude featuring English duo Camelphat. Rhythms interlock like puzzle pieces, resulting in a prologue that's soothing yet subtly suggestive of the layers to come. 'Nacht & Träume' continues the tale. A title drawn from Schubert's hymn to night and dreams, rendered with a chugging beat and angelic harmonies to conjure a dreamscape suspended somewhere between earth and sky.

KINEMA then sharpens its edge with its title track, a fully-realized club cut that shines a light on Kölsch at his very best. Menacing in tone yet crystal clear in design, it captures the album’s essence of movement distilled into sound with finesse. If 'KINEMA' is for the club, then 'Home' is where the heart is. Here, tender piano melodies and an unguarded vocal evoke nostalgia in its purest form, conjuring a soothing touch that's likely to linger like the fondest of core memories.

The album embarks from the nostalgic intimacy of 'Home' with 'All That Matters', a sweeping orchestral soundscape backed by the full force of Symphony of Unity. Strings flood the mix in sweeping arcs, cloaking the track's spirited vocal in a thin mist before swelling into a melodic climax. It's an unorthodox turn for an artist known for commanding the dancefloor, yet one that contributes to KINEMA's inspired and vibrant identity.

'All The Words' feels almost diaristic by comparison. Synths tumble like loose thoughts, while a delicate vocal hovers with a quiet innocence. Reflective without being fragile, it captures Kölsch’s ability to distill vulnerability into something confidently enduring. The album ends up returning to the club with its lead single 'All Week', as shuffling percussion spars with an airy lead to form a zesty, primal dialogue.

Its final stretch sees KINEMA blur joy with wistfulness. The spotlight single ‘Sad Makes Me Happy’, a striking collaboration with acclaimed vocalist Bonn, whose voice has powered multiple global hits. The pair reunited after Kölsch’s celebrated remix of Artbat & Morten’s ‘Hollow’, which showcased Bonn’s vocals and drew widespread acclaim from fans and tastemakers alike.

The sun rises, with ‘SMILE’, a luminous beat that lifts the horizon. Rolling basslines rekindle the album's energy while an enchanted vocal cuts through like a second dawn. Celebratory without losing its depth, it's a guaranteed ray of light for any live set.

As the sun sets, ‘Hands of Mine’ closes the journey with quiet grace. An acoustic guitar drifts over a soft pulsing beat, while tender vocals give the track an almost confessional quality. The result proves that even when stripped of excess, Kölsch's artistic vision stands tall; honest, emotive, and unshakable in identity.

As the record arrives, so too does its stage counterpart. Kölsch and the Machine debuts October 23rd at Amsterdam Dance Event before traveling through Berlin, London, Paris, Antwerp, and Madrid. Designed as a modular, analog-driven performance, the show reconstructs not only the new album but cornerstones from Kölsch’s catalog, inviting fans on a journey as the Danish producer reconnects with his early musical roots.

KINEMA and Kölsch and the Machine together capture the ongoing duality at the heart of Kölsch’s artistry: deeply personal yet undeniably communal, grounded in memory with an everlasting focus on motion. The album reaffirms his ability to translate feelings into music, threading them into a cohesive narrative that unfolds across ten compelling cuts. More than a listening experience, KINEMA conveys emotions and moments that feel universally relatable, echoing the highs and lows of everyday life.

stream/download: 'KINEMA' Kölsch

Through a fusion of production mastery and deeply emotive techno, Kölsch has become one of the genre’s most singular voices. Building towards his upcoming Kölsch and the Machine live tour and accompanying KINEMA album, he continues to stand as one of the scene’s most defining figures. Over the years he has collaborated with a range of renowned artists including Coldplay, Imogen Heap, London Grammar, and Damon Albarn, as well as electronic heavyweights such as ARTBAT, Anyma, WhoMadeWho, and Kevin de Vries, showcasing a producer confident in wearing many creative hats. Alongside releases on his IPSO label with Michael Mayer, Tiga, and Sasha, Kölsch’s sound bridges raw vulnerability and electronic power. Raised in Copenhagen’s Christiania commune, he draws on a lifetime of artistic exploration to create music that feels both universal and deeply personal, a vision perhaps best captured in his unforgettable Cercle set atop the Eiffel Tower.

CONNECT W/ KÖLSCH
Instagram | Website | YouTube | Soundcloud

MANYFEW X CANADIANRAVERS SECOND INTERVIEW [THE NEW EP 'GOLEN SKY', OUTLOOK ON STREAMING PLATFORMS, EXPOLRING GENRES ]

Jacob and Victor, who are known as MANYFEW, are a Swedish DJ and producer duo made up of brothers who’ve turned their shared love of house music into a global journey. Known for their infectious blend of disco, funk, and modern house, they bring a feel-good energy that instantly connects with fans on and off the dance floor.

Driven by a passion for groove, melody, and emotion, MANYFEW have carved out a sound that’s all about uplifting people and creating unforgettable moments. From early studio sessions in Sweden to releases on labels like Spinnin’, Axtone, and Perfect Havoc, their music has travelled far — earning millions of streams, radio support, and the love of dance music fans around the world.

Whether they’re behind the decks at a packed festival, in the studio working on their next anthem, or hosting their Electronic Heaven radio show, MANYFEW stay true to their mission: to spread positivity, connection, and pure house music energy wherever they go.

THE INTERVIEW

CR:Hello Jacob & Victor, welcome back to Canadianravers ,how are you guys doing?

MF: Hey Canadian Ravers, thanks for having us! We’re doing great, thanks. There are a lot of things going on in the studio right now, so it’s only good vibes :-)

stream/download: ManyFew - 'Golden Sky'

CR: What’s the story behind the EP Golden Sky? Did you have a special moment or vibe in mind when you started making it? And What made you choose the Name for the track as well as the EP?

MF: The first spark of Golden Sky actually happened in London. We were watching the stunning sunset in Canary Wharf after a studio session. We got so much inspiration, and luckily we had our laptop with us so we wrote down the first chords of the tune "Golden Sky." We absolutely love the summer, and we’ve always been fascinated by the sunset. Watching a great sunset is a special vibe!

 

CR: All four tracks have such a “feel-good” energy each one with different feel. How do you make sure your songs put people in a good mood?

MF: Our main goal with our productions is to make people wanna dance and have an epic time. Each song starts with a sketch which we develop along the way. We’re always looking for that instant vibe, something early on in the tune that triggers a good mood in us. We often test the tune out in the club as well to see reactions and hear the track in a club environment. It’s important for us that each track should say something, whether it’s a beautiful feeling, a cool feeling, or something else. Every track needs to tell a powerful story.

 

CR: We really loved ‘Never Let Me Go’ out of the four tracks—was there one that felt the most personal or meaningful to you?

MF: Thanks for vibing with ‘Never Let Me Go’! We think all of them have a special place for us. Obviously, Golden Sky was the starting point for the whole EP, so that track feels a bit special. ‘Never Let Me Go’ has received great support, and we’ve even been told by several people that it’s like an Enya track but with House Vibes, and that’s a really cool feedback to receive :-)

 

CR: As brothers, your creative process is unique. How did working together on this EP challenge or surprise you compared to your previous projects?

MF: We definitely have our different roles when working in the studio, and that is something we’ve experienced helps us speed up the process and gets us more focused on doing the best for the product. Actually, Golden Sky and 101 (Epilogue) were tracks we came up with outdoors, and that’s a unique thing for us. Usually, we’re creating tunes on the road or in studios around the world, but creating tunes outdoors, especially in the sunshine, is an unforgettable vibe. The spark of both those tracks was made during the sunset, which gives the whole atmosphere another awesome dimension to it.

 

CR: With the rise of streaming platforms and digital music consumption, how has MANYFEW and MANFEW Records adapted to these changes in the industry? Do you feel that these platforms have helped or hindered the growth of emerging artists?

MF: It’s fantastic that it’s possible to consume music wherever you are in the world, and now everyone basically has a music library in their phones, which is amazing. Both as artists and as a label, we are trying to adapt to all the new changes that happen, whether it's creating a playlist or connecting with fans. We feel that some streaming platforms make it easier to connect with fans, and that is something we really appreciate; we can receive messages and connect with the listeners in a cool way. It’s nice that more platforms are leveling up and that it’s a more competitive business nowadays; there are a lot of cool platforms to choose between, and we think that’s great. As an independent artist, we feel that most of the platforms are supporting us as creators, and that is vital for all creators, whether you are starting out or if you’re an established artist.

 

CR: If you could transmit one message through your music, what would it be?

MF: It would be to spread happiness and enjoy every moment in life! 

 

CR: What does the dancefloor teach you that the studio never can?

MF: The instant reaction you get from a crowd—that feeling tells you everything. It’s so special, and you can never get that in the same way when you’re in the studio. We can tell straight away by reading the crowd if the tune is going to work or not. It’s a special vibe!

 

CR: Since Halloween is around the corner, what is your plan for the Halloween and what are you guys dressing up as?

MF: We will spend Halloween with a brand new release called ‘The One For Me’ out on our own imprint ManyFew Records. We'll also enjoy a few beers with our friends. We’ve got lots of deadlines with production we’re doing, both for other artists and for the ManyFew project, so there will be lots of fun studio work around those days too. We’ve got a few gigs coming up at Amsterdam Dance Event just before that, so we can’t wait to test out all our new tunes :-)

 

CR: Finally, looking beyond Golden Sky, where do you see the MANYFEW sound evolving next? Are there new directions or genres you’re excited to explore?

MF: We love to explore new sounds and new stuff. We love to do what we do and can’t wait to continue creating more tunes. We absolutely love to create tracks and make tunes with a bit of a different touch to them as well. There are so many vibes we would like to try in the studio, and sometimes it feels like we don’t have enough time to test all the ideas, lol. We’ll continue to create feel-good tunes which we hope you are going to like as much as we do :-)

 

LIGHTNING ROUND

Festivals or Club shows? Clubs 

Underground warehouse or Mainstage? Both has their charm but right now we’d pick warehouse 

Late-night set or Sunrise set? Late-night set

Vinyl or Digital? Digital 

Analog synths or Software synths? Software Synths

Vocals or Instrumentals? Vocals

Remixes or Originals? Originals

Collabs or Solo productions? Solo productions 

Spotify or SoundCloud? Both has their advantages and what we really like with SoundCloud is that we can engage with the fans directly

Big-room bangers or Minimal grooves? Big-room bangers

Dont forget to Connect with ManyFew:

BASS PRODUCER AND MULTI-INSTRUMENTALIST FATHER FUNK TAPS DEF3 FOR PUNK-INFUSED DUBSTEP ANTHEM “RAGE AGAIN”

The politically charged bass banger is the second single from Father Funk’s forthcoming Funk The System LP, due out Friday, November 14

“Rage Again” releases amidst the producer’s international ‘Funk The System Tour’, which is taking him across U.S., Canada, and the UK - including a debut Denver headlining show at Cervantes’ Other Side

stream/download: Father Funk and Def3 Rage Again

“Electronic music is rarely political. But as I look around and see acts of genocide, political violence, and a massive increase in racism and intolerance, I think that maybe it’s time it was. I’m angry, I’m frustrated, I’m heartbroken. Some days I struggle to create at all. This track is a battle cry to anyone who’s feeling paralysed by the state of the world right now.” - Father Funk

UK-bred, Vancouver-based bass disruptor Father Funk has unveiled a new punk-infused dubstep anthem, “Rage Again” - the second single from his forthcoming album, Funk The System, due out Friday, November 14. Featuring rapper Def3 (who is known for his collaborations with Mr. Bill, Dr. Fresch, Late Night Radio, and more), the overt political themes of “Rage Again” act as an extension of Funk The System’s overarching ethos: a project that refuses to abide by the conventional wisdom of bass music, and reinvents the genre through a funky, genre-blending lens. 

Listeners got their first taste of Funk The System with the album’s lead single, “Trippy Road” - a collaboration with ProbCause and zoska. Blending live instrumentation (such as guitar, bass, brass, organ and clavinet) and genres such as trap, funk, hip-hop, and soul, “Trippy Road” showcased Father Funk’s newfound focus on songcraft that forgoes the conventional build-drop-build-drop formula.

On “Rage Again,” Father Funk imbues a similar genre-mashing ethos and songwriting approach. The song channels a ‘Rage Against The Machine meets Bass Music’ energy, and a nod to the duo's punk rock roots, fusing gritty electric guitar and bass riffs with smooth vocals and surges of dubstep bombast. 

Rage Again” kicks off with live guitar recording before blasting into a section of propulsive rock drum rhythms and Def3 lyrics setting up the thematic tone of the song. In the song’s first verse, Def3 delivers a rapid-fire flow over a drum-and-bass beat. Then, in a seamless transition, the song explodes into a fiery wubby bass line - a head-banging wall of distorted bass that cruises along the trunk-rattling drums with infectious melodicism.

Rage Again” stands as a bass music anthem for our modern times: a politically charged track that looks at the world around us and translates that unrest into an urgent, electrifying soundscape. As a result, the track perfectly encapsulates the guiding philosophy of Funk The System. Playing by his own rules on this new album, Father Funk is building a new paradigm for the genre - one that subverts the irony and cynicism that has dominated the scene for years, and instead emphasizes sincerity, joy, and defiant independence from the music industry machine.

As a pink-haired, bass music producer with roots as a guitarist, bassist, and trombonist for various punk and ska bands - and now six years sober - Father Funk is already a bit of an electronic music outlier. Starting as a prominent figure in the Ghetto Funk scene, Father Funk has been able to pave his own path, endearing himself to fans and fellow musicians alike through his genre-defying bass style - leading to Beatport-charting singles (his track “Be Funky” was #1 on the Glitch Hop Chart); collaborations with artists such as Dirt Monkey, Boogie T, SubDocta, and SoDown; releases on labels such as Wakaan, Drama Club, Jadu DalaSpace Pizza Records, and Ghetto Funk; performances at international festivals such as Shambhala (which he’s played seven times), Glastonbury, Boomtown, ShindigRainbow Serpment, and Mushroom Valley; and a tour support spot alongside The Floozies.

Rage Again” releases amidst Father Funk’s ongoing international ‘Funk The System Tour’ - a globe-trotting run that’ll see the producer perform in cities such as Denver (for his debut headlining show in the city), Seattle, Vancouver, and Bristol.

Funk The System Tour Dates

10/24/25: Toronto, ON - Wiggle Room

10/25/25: Winnipeg, MB - Wiggle Room

10/31/25: Reno, NV - Dead Ringer

11/14/25: Chico, CA - Lost In Main

11/15/25: Victoria, BC - Capital Ballroom

11/22/25: Calgary, AB - The Ampersand

11/28/25: Saskatoon, BC - Capitol Music Club

11/29/25: Vancouver, BC - Red Room

12/6/25: Seattle, WA - Nectar Lounge

12/18/25: Denver, CO - Cervantes’ Other Side

12/20/25: Bristol, UK - Clock Factory