Jason Ross and Kill The Noise release their debut collab “Under Pressure”. Blending the best of their styles, the track weaves through groovy progressive beats, anthemic melodic bass drops and trance-inspired breakdowns with vocals from singer/songwriter Sarah de Warren. The release comes alongside Kill The Noise’s album tour and Jason Ross’ recently wrapped ‘Atlas’ headline series.
Jason Ross is one of dance music’s premier acts, while simultaneously being one of the scene’s more elusive figureheads. That’s not due to any fault of his productions, but rather, purely due to his versatility. Once a mainstay on the legendary Anjunabeats and a rising star of new age trance shepherded by Above & Beyond and co, Jason quickly outgrew the boundaries of four to the floor grooves, expanding into the less finite space of broken beats and pop vocals of melodic bass. A blossoming working relationship with melodic bass propagator Seven Lions led to genre defining tracks like Higher Love and Ocean, backed up by beautiful, elongated and gently weaving trance discography featuring the likes of Cairo, Atlas, and his 2019 Anjunabeats EP Rooms. The ability to weave the emotion and hypnosis of trance into the more commercial
grit of melodic bass has made Jason’s recent catalog uniquely his own. His unique multi-genre tinged approach to production shines on genre-defining tracks like Shelter, his Blanke collab One More Day, his solo single Wild Ones, and his Gryffin collab After You, among others.
The music of Jake Stanczak, better known as American producer and DJ, Kill the Noise, was born out of an era where Ridley Scott imagined utopian futures on the silver screen, and artists like NIN and Aphex Twin rocked MTV. After channeling the influences of his youth through over a decades’ worth of forward driven electronic releases (Roots, Kill Kill Kill, Black Magic, Occult Classic), and charismatic live shows (Coachella, EDC Lollapalooza, Hardfest), the name “Kill the Noise” has become synonymous with some of the leading acts in dance music — getting creative in the studio with the likes of Dillon Francis, Deadmau5, AWOLNATION and Skrillex. In 2022, Kill The Noise made his return with ‘EMBRACE’, his sophomore album and first in seven years. The album was accompanied by Kill The Noise’s 27 city tour to promote the record.
Recently signed to Ultra Music Publishing, London based writer/vocalist Sarah de Warren has been averaging between 35-40 cuts per year for the last few years. Sarah has had cuts with: Kaskade, Mike Perry, The Him, Martin Jensen, Nicky Romero, Harris & Ford, Jerome, Gareth Emery, Adventure Club, Excision, LIZOT, Bingoplayers, Weird Genius, Tritonal and many others. Her songs have been on countless Editorial playlists (though we can count the ones that she’s on right now and that number is 116!) including 25+ NMFs. In addition to streaming success in the tens of millions for her cuts, her own artist project song ‘HARLEY FVCKING QUINN’ has blown up on TikTok with the sound being used in over 100,000 videos and 10 million streams. Her most recent Monstercat artist project release, “Sugar,” a collaboration with Weird Genius, launched last week with 7 NMFs and tons of further support across DSPs.
As the official record label of melodic dubstep leader Seven Lions, Ophelia Records is a label that promotes independent dance music across a wide range of genres. In just five years, Ophelia has become one of the hottest labels in electronic music thanks to its tight-knit community and ability to connect fans of melodic bass, dubstep, trance, psytrance, drum & bass, house and beyond. With over 200 catalog releases from acts such as SLANDER, Excision, Kill The Noise, MitiS, Jason Ross, NGHTMRE, Wooli, Trivecta, Blastoyz, Crystal Skies and Last Heroes, Ophelia has multiple #1 iTunes dance records and has been supported on the covers of mint and danceXL with additional playlisting on New Music Friday, Dance Rising, Bass Arcade and SiriusXM BPM. The label has also sold out showcases at Echostage, Avant Gardner and Red Rocks, as well as hosted festival stage takeovers at Electric Zoo, Miami Music Week, Nocturnal Wonderland and more.