MALAA 🅰🅻🆃🅴🆁 🅴🅶🅾 TAKES CONTROL WITH NEW SINGLE 'SAVE ME' 🆂🅸🅼🅸🆈🅰

ɐɐlɐW ɯoɹɟ oɓƎ ɹǝʇl∀ ʍǝu ɐ ɟo sɓuılqɯnɹ ʇspıɯɐ spuɐl ǝsɐǝlǝɹ ʍǝu ǝɥ⊥

A҉l҉t҉e҉r҉ ҉E҉g҉o҉ ҉i҉s҉ ҉h҉e҉r҉e҉ ҉t҉o҉ ҉s҉t҉a҉y҉

.bᴎoʏɘd bᴎɒ ɿɒɘʏ ɘʜƚ Ꮈo bᴎɘ ɘʜƚ ʜǫuoɿʜƚ ꙅdu|ɔ ᴎi ɘ|qɒƚꙅ ɒ ɘmoɔɘd oƚ bɘꙅioq ,ʞooʜ ɘ|diƚꙅiꙅɘɿɿi bᴎɒ ɘᴎi|ꙅꙅɒd ǫᴎiǫǫuʜɔ ɒ ʜƚiw bɘqqiupɘ ʏ||uᎸ ꙅɘmoɔ ɘ|ǫᴎiꙅ bɘᴎiƚꙅɘb ɿoo|Ꮈɘɔᴎɒb ɘʜƚ ,ɘꙅɒɘ|ɘɿ ʜƚ ɿɘdoƚɔO ᴎɒ ɿoᎸ bɘ|ubɘʜɔꙄ .ʏɿoV Ꮈo ʞooʜ |ɒɔov ɘviƚɔibbɒ bᴎɒ ƚᴎɒɿdiv ɘʜƚ ǫᴎiꙅɒɔwoʜꙅ ",ɘM ɘvɒꙄ" ,ɘ|ǫᴎiꙅ ƚꙅɘƚɒ| ꙅiʜ ʜƚiw ɘᴎɘɔꙅ ɘʜƚ Ꮈo ƚᴎoɿᎸɘɿoᎸ ɘʜƚ oƚ ꙅᴎɿuƚɘɿ ɒɒ|ɒM ɿɘɔuboɿq bᴎɒ Ⴑᗡ ʜɔᴎɘɿꟻ bɘmiɒ|ɔɔɒ ʏ||ɒᴎoiƚɒᴎɿɘƚᴎI

 

 .ᴎiɒǫɒ ƚɘʏ ɘ|ʏƚꙅ wɒɿ bᴎɒ ǫᴎiɔuboɿq oƚ ʜɔɒoɿqqɒ ƚᴎɘbiᎸᴎoɔ ꙅiʜ ǫᴎiꙅɒɔwoʜꙅ ,ɘqo|ɘvᴎɘ ɘʜƚ ʜꙅuq oƚ ꙅɘuᴎiƚᴎoɔ ɒɒ|ɒM ,ɘƚiɿuovɒᎸ du|ɔ ɘɿuƚuᎸ ƚxɘᴎ ꙅiʜ qu ǫᴎiᴎi| woͶ .ʞɿowʜƚᴎʏꙅ ǫᴎiƚᴎɘ|ɘɿᴎu ꙅƚi ʜƚiw ꙅᴎɒᎸ bɘ|ƹƹɒb ƚɒʜƚ Ⴑ⋊AM bᴎɒ imɒʜɔT ʜƚiw ᴎoiƚɒɿodɒ||oɔ ƚꙅuǫuA ᴎɒ ,'9Ͷ' Ꮈo ꙅꙅɘɔɔuꙅ ǫᴎiviɿʜƚ ɘʜƚ ꙅwo||oᎸ 'ɘM ɘvɒꙄ"

 

.ɘᴎɘɔꙅ ɘʜƚ ᴎi ɿoƚɒvoᴎᴎi ᴎɒ ꙅɒ ꙅuƚɒƚꙅ ꙅiʜ bɘƚᴎɘmɘɔ ɘvɒʜ ƚud ,ꙅƚɒɘd ꙅuoiƚɔɘᎸᴎi ǫᴎiƚᎸɒɿɔ ɿoᎸ ᴎoiƚɒƚuqɘɿ ꙅiʜ bɘiᎸibi|oꙅ ʏ|ᴎo ƚoᴎ ɘvɒʜ "ɘɔᴎɒɿꟻ ᴎi ɘbɒM" bᴎɒ ",ƚ|ovɘЯ" ",ꙅuoiɿoƚoͶ" ꙅɒ ʜɔuꙅ ꙅʞɔɒɿT .0 ᴎi ꟼ⅃ ɒɒ|ɒM ᴎoᗡ ɘʜƚ bᴎɒ ꙅɘiɿɘꙅ ɘqɒƚxim |ɒǫɘ||I ɘʜƚ ɘʞi| ꙅƚɔɘꞁoɿq ƚuobᴎɒƚꙅ ꙅɘbu|ɔᴎi ɿɘɘɿɒɔ ɔiᎸi|oɿq ꙅiH .0 ᴎi ɘǫɒƚꙅ ɘʜƚ oƚᴎo ǫᴎiƚꙅɿud ɘɔᴎiꙅ ɘᴎɘɔꙅ ɔiꙅum ɔiᴎoɿƚɔɘ|ɘ ɘʜƚ ᴎi ɘɔɿoᎸ ɔiƚɒmǫiᴎɘ ᴎɒ ᴎɘɘd ꙅɒʜ ɒɒ|ɒM ,ɒvɒ|ɔɒ|ɒd ɒ bᴎiʜɘd ʏƚiƚᴎɘbi ꙅiʜ ǫᴎi|ɒɘɔᴎoƆ

 

.ɘǫɿɒ| ƚɒ ɘᴎɘɔꙅ ɔiꙅum ɔiᴎoɿƚɔɘ|ɘ ɘʜƚ ƚquɿꙅib oƚ bɘꙅioq ꙅ'ƚɒʜƚ ɒɒ|ɒM oƚ bɘƚɔɘᴎᴎoɔ ʏƚiƚᴎɘ ᴎɒ ƚɔiqɘb ꙅɿuomuɿ ƚud ,ƚɔɘꞁoɿq ǫᴎibᴎɘq ɘʜƚ ƚuodɒ ᴎwoᴎʞ ꙅi ɘ|ƚƚi⅃ .ɒɒ|ɒM moɿᎸ oǫƎ ɿɘƚ|A wɘᴎ ɒ bᴎuoɿɒ ɘƚɒ|uɔɿiɔ oƚ ᴎuǫɘd ɘvɒʜ ꙅɿɘqꙅiʜw ',ɘM ɘvɒꙄ' ǫᴎibᴎuoɿɿuꙅ ƚᴎɘmɘƚiɔxɘ ɘʜƚ ƚꙅbimA

 

CONFIDENTIAL REPORT

Anomaly Detected

An unexpected disturbance has been identified within the electronic music domain. A new entity from within Malaa, designated Alter Ego, has surfaced, disrupting established frequencies of the conventional. This report outlines the emergence of Alter Ego and the implications of its debut transmission, ‘Simiya’.

Incident Description

Early on October 11, monitoring systems detected a significant anomaly in the electronic music spectrum. A transmission titled ‘Simiya’ appeared on the sonic sonar, characterised by readings as carrying aggressive, uptempo beats and genre-blending composition. This transmission diverges notably from Malaa's signature house sound, causing further ripples through the airwaves.

Analysis

Disruption Tactics: Alter Ego has commandeered Malaa's social media platforms, disseminating provocative messages and stirring controversy. The entity's unfiltered and chaotic communication style invites listeners to "choose a side", effectively spitting the audience in two.

Sonic Profile: ‘Simiya’ exhibits a departure from the conventional, merging drum and bass with experimental sonic elements. Audiences can expect a bold exploration of sound, defying genre limitations along the way.

Recommendations

Monitoring: Continue to track Alter Ego's communications and releases to assess ongoing impact and audience reception.

Public Communication: Disseminate this report to relevant parties to ensure awareness of the shifting dynamics within the electronic music landscape.

Access Instructions

Simiya by Alter Ego is now available across all major music platforms. Listeners are advised to engage with the track to fully comprehend the scope of Malaa’s new emerging phenomenon.

Malaa’s Alter Ego

Malaa’s Alter Ego is the rebellious counterpart to the masked French DJ and producer, born out of the need to disrupt the status quo in the electronic music scene. While Malaa is known for his deep, darker house sound and enigmatic persona, his Alter Ego breaks free from those constraints, challenging both the music industry and Malaa himself.

 

This new identity is outspoken, chaotic, and unfiltered, taking a more experimental approach to electronic music, blending genres and sounds that is a step away from the signature Malaa style. Malaa’s Alter Ego represents a new chapter, bringing a raw, unpredictable energy to the stage and online, where it has already taken over Malaa’s social media, stirring controversy and inviting fans to “choose a side.” With this daring project, Malaa’s Alter Ego seeks to push boundaries and create a new space in the world of electronic music where rules are meant to be broken.

HARTSHORN RETURNS TO BASSCON RECORDS WITH HIS NEWEST EUPHORIC HARDSTYLE TRACK, "OCEAN"

The American producer returns to the label with an emotional ballad presented in a lively happy hardcore package

American producer and DJ Hartshorn returns to Basscon Records with his third single, “Ocean,” set to be released on October 11th.

 

Ocean” is a love ballad wrapped in the euphoria of modern happy hardcore. The track sets sail with soaring synth stabs and a smitten female vocal hook that’s drawn into the current of a new romance. Anthemic leads and thunderous kicks bring the emotion to


its peak, embodying the feeling of deep affection of being swept away in the sweet embrace of that special someone.

 

Speaking about the track, Hartshorn shared his inspiration: “I wanted to bring

everything that modern happy hardcore is: soulful vocals with chops, big uplifting leads and a driving reverse bass to bring it home.”

 

Denver native Hartshorn has firmly established himself as one of the leading names in the American hardcore scene. Self-proclaimed as the ‘American face of happy

hardcore,’ he is known for propagating the sounds of the UK hard dance genre for the last decade. He has previously released two singles on the label, “Erase Me” and

“Thinkin’ About You,” which earned radio support from notable names like Hixxy, Outforce, MKN, Jake Ryan, and Matduke, as well as press coverage from Moon Lvnding, EDM Identity, Filthy Beat Inspectors, and Festival Season.

 

A seasoned performer, Hartshorn has graced the stages of renowned events such as Wasteland, Beyond Wonderland, Clubland Live, and Hardcore Heaven. His sound has caught the attention and support of tastemakers including Kayzo, Jordan Suckley, Timmy Trumpet, and Showtek.

 

“Ocean” promises to be another powerful addition to Hartshorn’s growing repertoire, contrasting heartfelt, emotional depth with the spirit and energy of happy hardcore,

ensuring a lasting impact on those who listen.

Hartshorn is an international leader in the happy hardcore and UK hardcore scene. His vast dynamic of hardstyle, hard dance, happy hardcore, and drum & bass captures his talented production skills.

Hartshorn’s performances include Basscon’s Wasteland, Beyond Wonderland, and Ultra Music Festival as he continues to cement his sounds across the globe."

 

Connect with Hartshorn

Facebook | Twitter | Instagram | SoundCloud | Spotify

MEROW RELEASED HIS NEW EP BASS RELATED VOL. 1 OUT NOW ON STMPD RCRDS

Merow, one of the rising stars in the electronic music scene, is releasing her first ever EP, BASS RELATED VOL. 1. This three-track project showcases Merow’s innovative approach to bass-driven music, blending raw energy with diverse grooves. The EP features the following tracks:

  1. Merow – ILY

  2. Merow – The Moshpit

  3. Merow – To The Beat

The journey of BASS RELATED VOL. 1 was born during Merow's first international summer tour, an experience that was transformative both creatively and personally. The EP highlights this sonic experimentation, capturing the energy of live performances and festival atmospheres.

"Working on this EP during my tour was such a special process for me," says Merow. "I had the chance to experiment with new sounds, combining bass elements with different grooves. One of the most exciting things was creating a tempo-change track with a UK Garage influence, which was something I hadn't done before."

The EP’s standout track, "ILY," made its debut at Tomorrowland, where the crowd's reaction was nothing short of electric. Adding to the EP’s polish, Merow mixed and mastered BASS RELATED VOL. 1 at the renowned STMPD studios, known for some of the best sound engineering in the industry. 

BASS RELATED VOL. 1 reflects Merow’s growth as an artist, celebrating the joy of creative exploration while offering a glimpse of what’s to come.

stream/download: Merow - BASS RELATED VOL. 1