CHARLOTTE DE WITTE UNVEILS NEW EP ‘AMOR’ ON KNTXT THREE TRACKER FEAT. BRAZILIAN CERES OUT APRIL 30TH

Charlotte de Witte announces three brand new tracks in the form of her richly resonant EP ‘Amor’, out April 30th on her KNTXT imprint. The vinyl will include an additional Instrumental Mix of her track ‘O Movimento’. 
 
The world's number one techno artist recently celebrated her 15th career anniversary with two monumental Flanders Expo 23k capacity performances, her long-awaited debut album (plus a new Deluxe Edition), and press support from Vogue, Grammy Museum, BBC 6 Music, DJ Mag (with cover), Mixmag, Rolling Stone, Billboard, Zane Lowe, Clash, Flood Magazine (cover).
 
‘Amor’ EP: each track features the breathy, full-toned vocals and Portuguese lyrics of CERES. The Brazilian singer, DJ & producer favours techno with tasty slices of UKG. Add to that, subtle motifs link the three tracks, giving the impression they form a suite. ‘This EP is inspired by my love for Portugal and Brazil, the country, the people, the food, the culture. Made with lots of amor.’ Charlotte de Witte
 
Title track ‘Amor’ (feat. CERES) delivers a galloping beat starred with spacey FX, as a hoover siren builds tension and CERES begins her rhyming chant. A sprinkle of acid becomes a sulphuric tidal wave. Next, ‘Sem Ar’ (feat. CERES): ‘Airless’; frantic rattling percussion overlays the fast beat to breakbeat-adjacent. CERES’ resonant voice is showcased in an acapella breakdown before her soulful voice becomes an acid robot’s, sharp and penetrating. Finally, ‘O Movimento’ (feat. CERES); ‘Movement/motion’, speeding beat with hi-hat backbeat duels with CERES’ voice, now sounding almost breathless, before acid filters in as the track builds. 
 
New music, alongside massive global shows as de Witte’s 2026 global list of tour dates continues to bloom, including headlining Time Warp Brazil, EDC Las Vegas, We Love Green (Paris), Kappa Futur Festival, Awakenings, Sonar,and more street parties in the making… There’s a lot to love for the year ahead.
 
‘Amor’ is out April 30th on KNTXT. Get it here: https://orcd.co/kntxt033.
 
Tracklist:

  1. Charlotte de Witte feat. CERES - Amor (Original Mix)

  2. Charlotte de Witte feat. CERES - Sem Ar (Original Mix)

  3. Charlotte de Witte feat. CERES - O Movimento (Original Mix)

  4. Charlotte de Witte - O Movimento (Instrumental Mix) [vinyl-only]


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JOHN 00 FLEMING RELEASES THE LOST TRIBE ON JOOF RECORDINGS

Featuring eighteen extended originals and collaborations with Paul van Dyk, Astral Projection, Ovnimoon, Calantha and Jason Luke, the British stalwart delivers a bold, immersive statement celebrating depth, long-form creativity and four decades at the forefront of electronic music. 

The Lost Tribe, the brand new full-length album from globally respected electronic music artist John 00 Fleming, is out now via JOOF Recordings. Spanning 18 original productions, and marking his first album release in over six years, the project stands as one of the most expansive and uncompromising works of his career, reinforcing his position as a leading voice in forward-thinking electronic music.

 

Arriving at a landmark moment that coincides with 40 years of DJing and production, The Lost Tribe is not a retrospective; it is a statement of intent. Across its full runtime, the album rejects the constraints of modern, fast-consumption music culture, instead embracing depth, progression and storytelling. Each composition unfolds with patience and purpose, and is designed to be experienced as part of a wider listening journey rather than in isolation.

 

Built from original productions, and collaborations with Paul van Dyk, Astral Projection, Ovnimoon, Calantha and vocalist Jason Luke, The Lost Tribe showcases Fleming’s signature approach: richly layered sound design, evolving arrangements, and cinematic scope. Across its extensive run time, the album moves fluidly between driving, hypnotic passages and more introspective moments, reflecting both artistic confidence and emotional depth.

 

The concept behind The Lost Tribe speaks to a growing global audience seeking a deeper connection to electronic music culture. In an era shaped by short-form content and algorithm-driven trends, the album serves as both a refuge and a unifying statement: a reminder of the long-form journeys, shared experiences and boundary-pushing creativity that defined the genre’s foundations.

The project also carries personal significance. Created during a period of reflection and transformation, the music reflects resilience, clarity and renewed perspective. That emotional undercurrent runs throughout the album, adding weight and authenticity to its sonic ambition.

 

John 00 Fleming’s career has long been defined by independence and innovation. From the early days of the UK rave movement to performances at some of the world’s most respected festivals and underground institutions, his influence spans generations. Known for extended DJ sets that prioritise narrative and progression, he continues to challenge convention while remaining rooted in his core philosophy.

 

Through JOOF Recordings, Fleming has also built a global platform for forward-thinking electronic music, cultivating a community centred on artistry, integrity and creative freedom. With The Lost Tribe, John 00 Fleming delivers a release that is both timely and timeless; an album that invites listeners to step away from the noise and reconnect with the power of immersive music.

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TAO ANDRA AND ADAM CLAY COVER 2000’S CLUB CLASSIC ‘BORN AGAIN (BABYLONIA)’

Out Now Via We Next Records

Romanian techno riser Tao Andra steps forward with a powerful new release, ‘Born Again (Babylonia)’, a striking rework of the cult classic originally released by Ricky L. Landing on the iconic imprint - the German-bred We Next Records in joint venture with Universal Music Germany - the release bridges eras with a contemporary edge, recasting the track’s legacy for modern dancefloors.

 

Shaping the track into a hypnotic, peak-time techno tool, Tao Andra leans into rolling percussion, weighty low-end and textured synth work, pulling the record into more shadowed territory while preserving its unmistakable melodic core. The result is a version designed for late-night floors, where tension and emotion move in lockstep.

 

A defining feature of the release is the return of Adam Clay, whose unmistakable vocal - central to the original record - has been newly re-recorded for this version. The performance brings renewed intensity and focus, threading nostalgia through Tao Andra’s contemporary, groove-driven production. It’s a rare moment where past and present collide seamlessly, transforming a familiar hook into something entirely alive for today’s audiences.

 

Released in 2001, the original cut was a landmark in early-2000s European club culture. The track quickly gained widespread recognition among DJs and dancers, becoming a touchstone for a generation and cementing its status as an essential anthem of its time. Its influence continues to be felt across progressive and trance circles, making it a pivotal reference point for artists revisiting the era today.

 

Tao Andra’s heady interpretation transforms a well-loved track into something distinctly her own, layering fresh energy and perspective over its familiar essence. The outcome is a sophisticated cover that resonates across generations of electronic music, paying homage to a truly golden era of music.

 

The Lisbon-based artist has recently surfaced as one of dance music’s most compelling new voices, a producer and performer who moves fluidly between hypnotic groove and tense, late-night energy. Her recent output - on labels like Drumcode, Terminal M, VOLTA, Arcane and Iboga - reveals a mercurial imagination, balancing dark, rolling percussion with moments of melodic clarity. Heavyweight DJs such as Charlotte de Witte, Adam Beyer, Eli Brown and Indira Paganotto have all championed her tracks, including standout moments like ‘Brain Train,’ which closed the Main Stage at Tomorrowland.

 

Traveling the globe from Brazil to Japan and India to Australia, Andra has honed a sound that’s both immersive and kinetic, with sets built as much on emotional resonance as on peak-time intensity. With every release and performance, she stakes a claim as an artist capable of threading timeless techno sensibilities through a modern, restless lens - a figure equally at home in underground clubs and international arenas.