OSKIDO CLOSES HIS AFRO HOUSE HERITAGE PROJECT WITH A FRESH REMIX FROM ATMOS WAV

Atmos Blaq and Mpho.Wav drop the third and final remix in South African icon Oskido's Afro House Heritage Project and also introduce their new Duo Called Atmos Wav.

The final chapter of Oskido’s Afro House Heritage Project lands Friday 10th October, with a new remix by Soweto’s Atmos Blaq and Mpho.Wav. The project, which reimagines Oskido’s legendary back catalogue for today’s global dancefloor, has already made waves with Dr Feel & Oskido’s remix of ‘Tsa Ma Ndebele Kids’ in August and Manoo’s remix in September, gaining support from industry heavyweights including Black Coffee, Themba, AMÉMÉ, Shimza, Morda, Jamie & more.

Stream/Buy: Oskido feat. Candy - Tsa Ma Ndebele Remixes

A titan of South African music and one of the continent’s most revered cultural figures, Oskido is ushering in a bold new chapter with the Afro House Heritage Project, connecting his groundbreaking legacy with the next generation of Afro house. He describes the initiative as “the beginning of something bigger,” blending heritage with innovation.

The project features a lineup of visionary talent: after Dr Feel & Oskido reimagined the beloved classic ‘Tsa Ma Ndebele Kids’ featuring Candy, French house producer Manoo added his signature touch. Now, Soweto’s Atmos Blaq, renowned for crafting textured Afro and 3-step sounds, teams up with Mpho.Wav, a former session musician whose work fuses tech, house, jazz, and gospel elements.

More than just remixes, the Afro House Heritage Project is a living tribute to Oskido’s trailblazing influence on Kwaito and South African house. As co-founder of the legendary Kalawa Jazmee Records and creator of the iconic Church Grooves series, Oskido shaped the continent’s music landscape and mentored a generation of talent.

Far from a retrospective, the Afro House Heritage Project is a reawakening, a bold reminder that foundational artists remain at the forefront of electronic music evolution.

LAMMER’S MOMENTUM KEEPS GROWING WITH HIS DEBUT EP HIGHLY ROGUE

Highly Rogue is out today, already supported by Job Jobse, Patrick Mason, Benwal, Tjade and many more. 

LAMMER, whose career skyrocketed in 2025, is releasing his debut EP Highly Rogue today via his own imprint also titled Highly Rogue. The EP’s name is a tribute to his label, marking a new chapter with its official launch. Led by the long-awaited single Time To Move, the four-track EP showcases LAMMER’s signature high-energy sound while exploring new territory across tempo, texture, and club context. Fans have been asking for the track for months, and after a Summer of teasing it in sets and online, the moment has finally arrived.

stream/download: lammar 'Highly Rogue EP'

The Highly Rogue EP delivers four distinctive tracks that each showcase a different side of LAMMER’s sound. Leading the charge is Time To Move, a high-tempo house track that feels like the natural follow-up to his breakout hit All Night, already receiving strong support. Take Me pushes into trance and 90s rave territory, championed by Benwal and Job Jobse, while Kick It strips things back to a raw, acid-tinged club weapon, tested by Benwal, Tjade, Lucky Done Gone, and Gusted. Rounding out the project is the All Night (All Day Long Mix), a powerful rework that LAMMER originally kept exclusive to his sets, but is now releasing as a thank-you to fans after months of requests. Together, the four tracks mark a new chapter in LAMMER’s career as he keeps getting more and more recognition from fans and industry professionals alike. 

“I’ve wanted to release an EP for a long time, but now that I’ve got my own studio and no day job holding me back, it finally feels possible,” says LAMMER. “These tracks have been part of many shows this summer, from Lowlands to Thuishaven, and they always get the biggest reactions. People are already singing along to Time To Move, which is surreal.”

2025 has been nothing short of a breakthrough year for LAMMER. After his remix of Ik Haat Hem Voor Jou became an underground favorite and his single All Night exploded into one of the most talked-about tracks of the year with fans singing along in clubs and major DJs picking it up for their sets, his rise has been unstoppable. He became the first artist ever to play two consecutive nights at The Loft, sold out a five-hour Thuishaven set in just one minute, joined Audio Obscura’s Highway Rave, and closed the India Stage at Lowlands to a packed crowd. Recently he reached another milestone with his first all-day set at Maassilo. Looking ahead, he’s set to take his sound international with shows in Dublin, Leeds, Barcelona, Madrid, Budapest, and Berlin, before debuting at EDC Thailand and embarking on a month-long tour of Australia in April 2026. 

LAMMER will be performing at several ADE events, including Into The Woods, Audio Obscura, and ZeeZout. On Thursday, October 23rd at 12:15 CEST, he’ll take the stage at WestWeelde alongside Kyle Starkey for an ADE Lab talk on how to create your own musical wave. More information and tickets are available via this link.

LAMMER is pushing his way into Europe’s dance floors from his hometown Rotterdam. His debut single All Night turned into a proper club weapon, picked up by tastemakers like Job Jobse and Patrick Mason. Known for long, high-energy sets, LAMMER sells out his own nights whether it’s five hours at Thuishaven or all day long with Rotterdam Rave in Maassilo. That momentum is now carrying him through Europe, with clubs and festivals quickly catching on to his sound. This summer he closed Holland’s biggest stage: Lowlands Festival, a milestone that marked the peak of his breakthrough year. He also made history as the first artist to sell out two nights in a row with Audio Obscura at The Loft during Easter. With his first EP Highly Rogue just out, and a raw mix of 90s rave, trance and house at the core of his productions, LAMMER is set for even bigger moves, with plenty of international shows in the works.

CORREN CAVINI UNVEILS HIGHLY ANTICIPATED DEBUT ALBUM ‘A PLACE TO CALL HOME’

OUT NOW VIA PURIFIED RECORDS

Today marks the release of A Place To Call Home, the debut album from Utrecht-based producer Corren Cavini - a record that confirms his arrival as one of the most singular new voices in electronic music. Arriving both digitally and as a strictly limited vinyl edition of just 100 copies on Purified Records, the long-player underscores Cavini’s belief in the album as a complete artistic statement - something to be experienced not in fragments, but as a journey. More than a collection of tracks, this is a statement of identity, vulnerability and craft: the work of a producer who has quietly carved out a distinctive sound over the past few years, and now delivers his most ambitious, emotionally charged project to date.

 

The album’s story begins in the most personal of places. Its opening piece, “Home (ouverture),” was written on the day Cavini learned his mother had been diagnosed with cancer. After returning home, crying together, he sat at the piano and let the music flow. What emerged was not just a song but the seed of an album - a meditation on belonging, safety and the meaning of home. That single moment of grief and intimacy threads through the entire record, shaping it into something far beyond the usual boundaries of club music.

 

Over the past year, Cavini has offered glimpses of this world with the release of “Tell Me” featuring Chris Howard, “Listen To The Silence,” “Agoraphobia,” and “Heart Of Gold” featuring Howard once again. Each single hinted at the album’s depth, but only in full do they reveal their weight, intertwined with new material to form a narrative arc that feels cinematic in scope. From the soaring openness of “Tell Me” and the weightless surrender of “Free Falling” with MYRN, to the warmth of “Valinhos,” inspired by Cavini’s travels in Brazil, the record moves between intimate confession and collective catharsis. “Never The Same” and “Now Or Never,” both featuring Dan Soleil, capture the tension between impermanence and urgency, while “Autumn Sun” finds quiet beauty in transition.

 

Central to the record is “Agoraphobia,” a stirring homage to Pleinvrees, the iconic Dutch festival series that ended in 2024. For Cavini, Pleinvrees was more than an event - it was a sanctuary, a place where vulnerability and euphoria coexisted and where his sound first took shape. By reframing the concept of agoraphobia not as fear of the crowd but as the search for connection within it, Cavini reimagines the dancefloor as a home in its own right - a place of belonging for those who struggle to find it elsewhere. That same conviction drives “Your Rights,” a plea for the preservation of nightlife as a vital safe space for self-expression, reminding us that music is more than entertainment: it is survival, identity, and refuge.

 

“A Place To Call Home, to me, is about the importance of having somewhere you truly feel at home - where you feel safe to be yourself. That’s something every person in the world deserves, but it’s definitely not a given. Especially in these times. Whether it’s a place, a person, or a community, it’s a human need. I’m more than aware of the struggle of not feeling safe, and in darker times, music and dance floors have helped me in that sense. On dance floors, more than anywhere else, I have felt safe to express myself, connect with strangers and work through trauma. If I can contribute, even in the tiniest way, to helping others feel at home, connected, and safe through music - then to me, that’s worth dedicating all of my energy to. It certainly is what makes this album something I feel so incredibly emotionally invested into.” – Corren Cavini

 

What makes A Place To Call Home so striking is the way it balances this emotional depth with Cavini’s immaculate craftsmanship. Classically trained, with an instinct for drama and restraint, he sculpts sound with patience and intention. The record moves fluidly between moments of fragility and power, silence and propulsion, introspection and release. It is music for headphones at night and for sunrise on the dancefloor, for mourning and for celebration - a rare debut that insists on the album as a serious art form in an era defined by fleeting singles.

 

With previous releases on DAYS like NIGHTS, This Never Happened, Armada Music and Purified Records, Cavini has already been shaping a reputation among those who value subtlety and storytelling in electronic music. His recent livestream from Purified Johannesburg further demonstrated his ability to command emotional intensity in a live context, bridging underground credibility with cinematic weight. Yet A Place To Call Home feels like the moment where all of that groundwork crystallizes into something undeniable.

 

This is more than just a debut - it is a landmark. With A Place To Call Home, Corren Cavini offers not only his most vulnerable work, but a defining contribution to the sound of his generation: a record that feels destined to endure and an artist who feels destined to rise.

stream/download: Corren Cavini – A Place To Call Home (Album) is out now on Purified Records
click here to Pre-order vinyl