OLIVER HUNTEMANN AND MARK ROMBOY LINK UP ONCE AGAIN FOR ’SCHWARZE WAITWE’ ON SYSTEMATIC RECORDINGS

Techno titans and long time musical partners Marc Romboy and Oliver Huntemann are back with another epic collaboration in the form of ‘Schwarze Witwe’ on Romboy’s Systematic Recordings. 

This legendary pair have very much defined the sound of the electronic underground over recent decades. They are cutting edge artists with a unique grasp of melody and drama and always serve up fresh new sounds whenever they work together. This outstanding new track comes hot on the heels of ‘Teufelsfisch’ in May. That epic cut came on Huntemann's label Senso Sounds back in May and was in the Beatport charts for more than three months. This one is sure to prove just as big. 

‘Schwarze Witwe’ is built on hefty drums and razor sharp percussion that cuts right through any sound system. The baseline grumbles down low with a great sense of menace and the spell binding synth work is electric. Withering lines, pixelated pads and cosmic keys all light up the airwaves in dramatic and signature fashion. 

This is another standout collaboration from these two icons. 

Oliver Huntemann IG

Mark Romboy IG

LILLY PALMER REVIVES LEGENDARY ANTHEM ‘DOOMS NIGHT’ – JUST IN TIME FOR NEW YEAR’S EVE

As the countdown to New Year’s Eve approaches, electronic music trailblazer Lilly Palmer is set to ignite clubs and dance floors around the world with her electrifying new reimagining of the true electronic classic, ‘Dooms Night’. Originally crafted by Azzido Da Bass, ‘Dooms Night’ became a seminal rave anthem, gaining legendary status in 2000 with the release of Timo Maas’ iconic remix that stormed the UK charts and beyond. Twenty-four years later, Lilly Palmer has transformed this historic track into a modern-age banger, tailor-made for the global charts of the current and upcoming music scene. Already making waves during her live sets with overwhelming fan approval, this release promises to be the ultimate soundtrack as we party our way into 2025.

Breathing new life into the raw energy of ‘Dooms Night,’ Lilly Palmer retains the track’s gritty intensity while injecting it with her signature high-energy twist. Her rendition seamlessly bridges past and present, honoring the rave culture origins of the track while reshaping it for today’s global music scene.

Known for her boundary-pushing sound, Lilly Palmer has become a standout figure in electronic music, captivating audiences with her ability to combine classic elements with contemporary innovation. Her ability to turn iconic tracks into modern dancefloor weapons has solidified her reputation as a true powerhouse in the new generation of electronic artists.With a growing list of sold-out performances and major festival appearances across the globe, Lilly Palmer continues to push the boundaries of techno and electronic music. This rework, releasing just shortly after her hugely successful remix of Armin van Buuren’s ‘Blah Blah Blah’, is a testament to her ability to transform even the most legendary tracks into fresh dancefloor anthems.‘Dooms Night’ is out now on all streaming platforms

Born and raised in Germany, Lilly's real musical journey started in Zurich, where she spent a lot of time with the great and thriving underground scene. Her dedication to music grew stronger and stronger,eventually leading to the decision to fully immerse herself in the world of the underground in 2017. Lilly Palmer's sound and style have evolved to new dimensions. Her versatility and savvy definitely brought her sound to higher spheres and peak-time Techno has become her signature sound. With authenticity and focus being two of her most prized attributes,she spends almost every free minute working full steam ahead in the studio developing and refining her sound.

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FEED ME CELEBRATES 16+ YEARS WITH CUTTING-EDGE 'ONE CLICK HEADSHOT' REMIX PACKAGE

ICONIC TRACK REIMAGINED BY ALL-STAR ROSTER OF

FORWARD-THINKING PRODUCERS

Marking over 16 years of sonic innovation, Feed Me unveils a bold reimagining of his iconic track "One Click Headshot" with a dynamic 10-track remix collection. The package assembles an expertly curated lineup of boundary-pushing producers including Grafix, Eater, Shadient, AlienPark, and JACKNIFE, breathing new life into the 2012 fan-favorite that has garnered over 35 million streams on Spotify.

Each remix brings its own distinct vision to the table, spanning the full spectrum of bass music's evolution. Drum and bass powerhouse Grafix transforms the original into a high-octane journey of lightning-fast breaks and soaring melodies, while Lost in Orbit delivers a trap-infused reinvention that merges razor-sharp percussion with thunderous bass design. Flozone dives deep into dubstep's raw essence, crafting a gritty interpretation that bridges the gap between old-school and cutting-edge.

Eater adds a haunting dimension to the collection, wielding controlled chaos through ominous builds and bone-rattling drops. Shadient unleashes an otherworldly take, where atmospheric soundscapes crescendo into mechanized, explosive drops.  EDDIE follows with a technical masterclass, weaving intricate sound design and precision transitions into a captivating sonic journey.

Arya x Alexis B inject raw energy with their grungy basslines and textured sound design, while NVADRZ & ALIAS deliver a relentless drum and bass assault that pairs colossal drops with breakneck rhythms. AlienPark crafts a dynamic tapestry that seamlessly blends hard-hitting basslines with melodic innovations, before JACKNIFE closes out the package with an infectious bass house remix that pulses with unstoppable dancefloor energy.

The release lands during a milestone year for Feed Me, following his August release of the 7-track album "Feed Me's Vintage Rally Championship" and his recent bass-heavy remix of Kai Wachi and Lø Spirit's "Happier By Now." The momentum continues as Feed Me prepares to close out 2024 with his Vintage Rally Championship of North America tour, bringing his distinctive sound to cities including Seattle, Denver, San Diego, and Vancouver.

QUOTE FROM FEED ME

“I'm so excited to present a fresh take on my song, "One Click Headshot".

I’ve brought together a group of insanely talented producers I truly admire to reimagine One Click Headshot on Sotto Voce. This track has a lot of history for me—I still remember the crazy two-day, no-sleep session when I first created it! Hearing it now through the lens of so many brilliant minds has been such a cool experience. Each rework brings something totally fresh and unique, and I couldn’t be more proud of the result. I can’t wait for you to hear these new versions and experience the journey all over again with me!

FEED ME UPCOMING TOUR DATES:

December 27, 2024: Skyway - Minneapolis, MN

December 28, 2024: Red Room - Vancouver, Canada

Multifaceted British EDM producer Jon Gooch developed his Feed Me moniker in the late 2000s as a vehicle for his dubstep/electro-house hybrid tracks. Working with Deadmau5's Mau5trap imprint, Gooch's tracks of wobbly bass and scattershot drum programming evolved over a nonstop stream of singles, remixes for big-name artists like Robyn, and studio albums like 2013's Calamari Tuesday. Born in Hertfordshire, England, in 1984, Jon Gooch first made a name for himself under the alias Spor, crafting hard-edged drum'n'bass tracks. In 2008, he debuted the Feed Me moniker and a more dubstep-leaning sound on his first track, "The Spell." Still active as Spor (and a handful of other aliases), Gooch's work as Feed Me was largely released on the Deadmau5-run label Mau5trap. His first full-length album, Feed Me's Big Adventure, materialized in 2010, and new tracks came at a steady clip in the form of new singles or EP releases like 2011's To the Stars and 2012's Escape from Electric Mountain. He also increased his profile by remixing the likes of Chase & Status ("Let You Go"), Nero ("Innocence"), Gorillaz ("On Melancholy Hill"), and Robyn ("Call Your Girlfriend"). Calamari Tuesday, his second album, was released in 2013 via Gooch's own Sotto Voce imprint. Over the next four years, he averaged a new EP each year beginning with Feed Me's Psychedelic Journey (2014), followed by A Giant Warrior Descends on Tokyo (2015), Feed Me's Family Reunion (2016), and Feed Me's Existential Crisis (2017). He also collaborated with American producer Kill the Noise on the 2014 single "Far Away." In 2019, third full-length High Street Creeps arrived, this time back on Mau5trap. By this time, Gooch's style had developed from the dubstep trendiness of his earliest work into more varied and quick-changing compositions that included nods to his drum'n'bass background.

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