The trifecta of trailblazing artists come together for a boundary-pushing club collab alongside South Africa’s multi-talented sensation Toya Delazy.
In a groundbreaking collaboration, LA’s rising star Bianca Oblivion, Bristol’s Sam Binga and the living legend Skream have joined forces on their electrifying new track “FIYA SELECTA” via HARD Recs. The trio, known for their genre-bending approaches to dance music, bring their signature styles together, enlisting the ferocious vocal presence of South Africa’s Toya Delazy, the force behind the Afrorave movement. The result is an explosive fusion of techno, UK club sounds, and global bass influences, driven by Delazy’s sharp Zulu lyricism.
“FIYA SELECTA” showcases a perfect balance of underground club energy and cutting-edge production, blending moody textures, punchy percussion, and a dynamic bassline that creates a hypnotic groove. Delazy’s vocals cut through the rhythm with unapologetic intensity, giving the track an extra layer of attitude that’s impossible to ignore. From its sharp breakbeats to its gritty bounce, “FIYA SELECTA” captures the chaotic and boundary-pushing energy of modern rave culture, while offering a fresh take on global dance music.
Sharing his excitement around the collab, Sam Binga says: “I’ve been working with Bianca for a couple of years now, both in the studio and live on the decks, and it’s always a wicked vibe—we both love working with vocals, and we’re both, in our own ways, drawn to those scenes that exist a bit outside the mainstream. Working with Skream was amazing—he’s written some of the most iconic tracks in the history of UK dance music, and by bringing Toya into the project, it really gave the tune a clear aesthetic and direction. I love how ‘Fiya Selecta’ is super funky, while having a dark intensity; moody, in the best way possible!”
Breaking down how everything fell into place, Skream adds: “An absolute pleasure being a part of ‘Fiya Selecta!’ Sam and Bianca had the vibes on lock in the Insomniac HQ studio, while I brought Toya’s unreal vocals in and it just made everything fit and gave it a strong direction! It’s great to be on a track with Sam, who I’ve crossed paths with multiple times over the years and amazing being with new friends Bianca and Toya!”
Shedding further light on the collaborative process, Bianca Oblivion explains: “Since meeting Sam just a few years ago, both our friendship and collaborations have flourished. We’ve played shows and festivals in both the US and UK, and we released ‘Sweatboxx Party,’ which is now up for a Grammy nomination! It was a rare and serendipitous moment when Sam, Skream, and I were all in LA at the same time, so we seized the opportunity and jumped into the studio. It was really special to work with two artists I greatly respect and whose music has been very influential to me. We were also fortunate to have Toya Delazy’s vocals to work with, as she has such a powerful and distinct sound that really brought this project to life. ‘Fiya Selecta’ is truly a testament to the magic of cross-cultural (and continental) collaborations.”
Touching on the meaning behind the lyrics, Toya states: “‘FIRE SELECTA’—the grass being greener where it is watered. The Zulu lyrics speak about living in a garden of dreams and it’s all about plowing your garden to bear fruits, that's how you become the fire selecta in your own life! It is also an ode to all the fire selectas out there that give us the chance to forget our problems with just one tune on the rave floor!”
Sam Binga has long been a key figure in the evolution of UK club music, navigating between bass, jungle, and grime, while remaining rooted in the soundsystem traditions that shaped Bristol’s music culture. Since his breakout in 2013, Sam Binga has become synonymous with pushing boundaries, blending high-octane club rhythms with off-kilter experimentalism. His dynamic productions, steeped in bass-heavy soundscapes, have made him a staple at major venues across the globe. His North American tour marks a key moment in his career, showcasing his ability to bridge underground grit with global appeal.
Skream, from shaping the early days of UK bass as one of the architects of dubstep, to his seamless transition into house and techno via disco, Skream’s ability to evolve doing whatever he feels while staying true to his roots has earned him a rare status as a dance music icon. His recent high-profile performances at Boiler Room SF, CRSSD Fest, and Circo Loco NYC reinforce his place at the forefront of electronic music, where he effortlessly spans genres, leaving an indelible mark on every dancefloor.
LA’s Bianca Oblivion brings a fresh, fearless approach to club culture, blending elements of reggaeton, dancehall, and bass music with an infectious energy that resonates on both sides of the Atlantic. Recognized as one of Mixmag’s ‘Breakthrough DJs’ of 2023, she’s not only made her mark in the underground scene but her track “Sweatboxx Party” is now in consideration for a Grammy award. As a DJ and producer, Bianca’s anything-goes ethos has earned her sets at top-tier clubs like London’s Fabric and Barcelona’s Razzmatazz, while her collaborative party series Warp Mode has become a beacon for LA’s boundary-pushing dance community. She is returning to the HARD Recs imprint after making a statement via her “Lavish” label debut alongside legendary MC and UK trailblazer, Redders.
Building off an explosive performance together at last year’s Boomtown, where Sam and Bianca played back-to-back before Skream’s set, the trio’s chemistry is undeniable. This energy is captured in “FIYA SELECTA,” a track designed to ignite dancefloors across the world. Toya Delazy’s contribution brings an unmistakable edge, making this collaboration not just a fusion of sounds, but a meeting of cultures that transcends musical boundaries.
Sam Binga is at the intersection of dance music's most dynamic styles. Since his project's debut in 2013, this Bristol-based cornerstone has expertly blended cutting-edge club sounds from across the globe with a classic UK soundsystem sensibility, all infused with a distinctive personality that is uniquely his own.
As one of the UK’s best-loved selectors Skream has enjoyed the kind of consistency most DJs and producers can only dream of. His passion for collecting and playing music is unrelenting; disco, house, techno and everything in between… it runs deep into his core and he lives it every single day. Still only in his early thirties, Skream has achieved more in the last 15 years than most people do in a lifetime, yet his hunger and enthusiasm is akin to that of a man who is only just getting started… Skream’s history is well documented; a love affair with music that was triggered by his older brother, Hijak. DJing since he was 11. Making music at 15 and one of the key innovators at the birth of dubstep. All before he’d left his teens. With his place in UK music history already assured, he could have easily kicked back and taken advantage of his legendary status. Instead he opted to make the transition to disco, house and techno, leaving the dubstep world to do his own thing, in typical Skream style. Tracks like ‘Rollercoaster’ (ft. Sam Frank) and his remixes of Duke Dumont ‘Need You’ and ‘Infinity’ by Infinity Ink helped introduce the world to Skream’s shift in styles, while his mix output from 2013, cemented the change in direction seamlessly blending a variety of 4x4 styles across all of his tracks. Parallel to these pivotal releases he also showcased his eclectic tastes at his Skreamizm parties across the UK and the rest of the world, and so a new chapter began. In November 2013 he closed his infamous label Disfigured Dubz, unveiling a brand new platform called Of Unsound Mind six months later in May 2014. The label’s ethos is simple; to offer an outlet to Skream’s friends and to give support to the underdogs out there. Of Unsound Mind has clocked over 50 releases since it was launched, introducing artists like Motions, Billy Turner, Melody’s Enemy and Osolot to the world. Skream’s philanthropy is the mark of a man who has remained true to himself throughout his career, no bullshit, just a straight up honest, unfiltered attitude. On the production tip, he has never stopped pushing out music, utilising his own platform to deliver a slew of techno cuts, encompassing a range of textures; from the rugged to the emotive - including ‘Face Down In The Water’, ‘Settled’ and the mighty ‘Chronicles’ EP with Billy Turner. Elsewhere, he has signed a variety of releases to labels such as Crosstown Rebels, Dennis Ferrer’s Objectivity and We Are The Brave which unleashed his killer track ‘Poison’ in 2018. He’s also produced a constant flow of remixes for major labels like Warner, FFRR and Sony, plus some of the most influential underground outlets, including Hot Creations, Watergate, VIVa, Snatch! and lots more. His endless creativity fueled by the dance floor - the place where his heart lies and where he feels most at home. For the last few years Skream has been showcasing the depth of his musical knowledge at his ‘Open To Close’ parties, playing all night long at venues around the world; every step of the way he played at sold out clubs that were packed out with people who were there just for him. Skream’s name is now so synonymous with delivering quality that ravers will happily pay for a ticket to see him play all night simply because they trust in his ability to entertain them for eight hours or more. For Skream, this is a dream come true, the epitome of success. To achieve that kind of trust from the dance floor is rare, and to maintain it is even more extraordinary, but Skream is no ordinary artist and his commitment to music, and his fans, is unparalleled. “There was never any other option,” he says, and that is why he will continue to be one of the UK’s most treasured electronic music artists keeping the legacy of UK rave culture alive until the very end…
Bianca Oblivion lives and breathes Los Angeles. Born and raised in the City of Angels, the globe-trotting, genre-hopping, hard-hustling artist—who was recently named by Mixmag as one of 2023’s breakthrough DJs of the year and is also part of Beatport Next’s class of of 2024—is unbound by dance music orthodoxy, opting instead for an “anything goes as long as it bangs” approach that reflects the unique cultural palette of her hometown. Growing up Mexican in LA, Bianca heard G-funk blasting out of cars and cumbia coming out of the stereo at backyard BBQs, and during her teen years, she started spending her nights soaking up electro, house and all sorts of heavy bass music, most often in the city’s vibrant underground club and warehouse rave scene. She’s still raving today, and as a DJ, she’s intent on connecting the dots between seemingly disparate sounds, as likely to drop dancehall, reggaeton, hip-hop, R&B or even a cheeky pop edit as she is to unleash a torrent of gut-rumbling grime, dubstep, hardcore or some other bass-heavy sound. Bianca is the rare selector who can tear the roof off just about anywhere, and in the past few years, she’s showcased her skills not only at world-renowned festivals like Bass Coast, Glastonbury, Fusion and Boomtown, but also at iconic clubs like London’s fabric and Barcelona’s Razzmatazz. Still, it’s Warp Mode—the LA party she throws alongside fellow bass fiends Star Eyes and AK Sports—where she’s most comfortable, and not just behind the decks. Aside from providing a consistent platform for femme/non-binary, queer and POC artists, Warp Mode has become a beacon for low-end freakers from Southern California and beyond, which is why its unique brand of neon-streaked mayhem was broadcast to the world via an unforgettable Boiler Room takeover in 2023. Away from the dancefloor, Bianca also heads up Club Aerobics, a label and monthly radio show that’s been airing on NTS since 2017. And while she has a fantastic ear for other people’s tunes, she’s also made plenty of bangers of her own, flexing her production skills on releases for labels like N.A.A.F.I, Magic City and Future Bounce. Tracks like “Sinais,” “Eski Rave,” and “Selecta” have been rinsed on both sides of the Atlantic, and her song “EZ 4 Me” even landed in EA Sports FC 24, the latest installment of the newly rebranded FIFA video game series. DJ, producer, promoter… Bianca Oblivion does it all, spreading joy and always giving bassbins a serious workout. Keeping up with her is no easy task, but anyone who’s lucky enough to catch her would be well advised to sit back and let her go to work.
One thing you’ve got to know about Toya Delazy (born Latoya Nontokozo Buthelezi) is that she does things on her own terms, whether that’s in music or in life. A singer, rapper, pianist, dancer and producer she’s as multi-hyphenate as they come, and a natural innovator to boot. Breaking sonic barriers as the creator of AfroRave, a genre bringing together Zulu verses with drum and bass, the London-based musician is celebrating the lyricism of her native tongue— a tonal language which features click consonants — and delivering high-energy dance-floor fillers.
